This is a work of fiction. Any resemblance to persons or situations, living or dead, is unintentional and coincidental.
MERCURY RISING
FADE IN:
INT. CEMETARY DAY
THOMAS MERCURY walks toward a private cemetery on his property containing only a few stones. He is carrying a dozen red roses, and removes his hat as he nears the stone bearing the name MADELAINE MERCURY, and the words ‘Beloved Wife,’ 1900-1930. Slowly, Thomas bends down, setting the roses beside the stone.
THOMAS
(quietly) I thought you might like these roses,
Madelaine. I know how much you always adored the
rose garden. Things are going well, I guess. (a
bit more excited) The business is doing well.
Why, Joe and I are set to export an entire
shipment of fine clocks in just a few weeks. Joe
found a buyer overseas. (pause) That big ol’ house just isn’t the same without you, Maddy.
(pause)(he brushes his hand over the name) Just
not the same.
INT. MERCURY HOME-SITTING ROOM DAY
Thomas walks into the house. JOE DARLING, Thomas’ business partner, is waiting for Thomas in the sitting room. Joe is pouring himself a drink as Thomas enters.
JOE
(excited) Well, where you been, ol’ chap? Care for a brandy? Thought I’d help myself.
Thomas shakes his head no as he hangs his hat and takes a seat, sadly, in the middle of the room.
JOE
(continuing)
(excited) Anyway, just wanted to stop by and update you on this clock deal we’ve been working on. I’ve been on the phone with the secretary for the buyers, and they think they can make it in to town to put the final deal together in the next few weeks. (Joe sees Thomas’ sad expression as he sits on the couch near Thomas) Well, what’s the matter, ol’ chap? I’d thought you’d be happy to hear about this. It’s certainly good for business and (pause), and (pause) why so glum, Thomas?
Thomas quietly, sadly looks to Joe.
JOE
(continuing)
(compassionately) You’ve visited Madelaine again, haven’t you?
THOMAS
Do you know what today is, Joe?
JOE
(quietly) Of course I do, Thomas. She was my sister, you know.
THOMAS
One year ago. It was one year ago today. (pause)
And, in some ways, it still feels like yesterday.
JOE
(quietly) I miss her, too, Thomas. But, it’s not
good for you to mourn like this. It has been a
year, after all. Madelaine would want you to go
on with your life.
THOMAS
I’ve gone on with my life.
JOE
(returning to refresh his brandy) You’ve gone on
with our business, you mean. Not that I’m complaining about that mind you. In the past year, the company has grown leaps and bounds. Madelaine would have been proud of you, Tom. But, man can’t live by work alone. You can’t just keep moping around this house and visiting Madelaine’s grave like she’s coming back. Well, you’ve been stuck in a rut; isn’t that what they call it? You’ve got to move forward, start living, have some fun. (pause) Wait, I know just how to start. Penny, you know, that cute little thing that works the counter down at the playhouse, well, she gave me four free tickets to the new play they have there this weekend. I have no idea what it’s about, but I’m sure it’ll be great. You should come. Get a girl, and come with me and (pause) and, well, maybe Penny. (returning to the couch) What do you say, Thomas. Come on. We’ll all see a play this weekend and have a good time.
THOMAS
(remembering) Madelaine loved going to the playhouse, seeing all the actors in their costumes, the scene changes, and the music.
JOE
(swallows, playfully) Gee, Thomas, you may be hopeless. (pause) Come on, give it the ol’ college try. We’ll get a couple of girls and go to the playhouse and see (pause) whatever’s playing. (more serious) It’s time, Thomas. It really is. Madelaine would have wanted you to move on, to be happy.
THOMAS
Perhaps, you’re right, Joe. Perhaps.
JOE
(excited) That’s great. I’ll tell you what. As your favorite and only business partner, I’ll even find a girl for you. How about that, Thomas? Who knows, maybe you’ll even fall in love again. (humorously bragging, moving to stand behind Thomas’ chair) I’ll find a good one for you Thomas. I’m good at matches, you know. Why, I matched up you and that sister of mine, and what a match it was.
THOMAS
Love? I don’t know about love. One year, Joe. It’s been an entire year, and I still miss her, I still wish more than anything else that Madelaine could return to me.
Joe looks downward sorrowfully.
INT. INSIDE THE DARLING-MERCURY OFFICE DAY
Thomas is speaking on the telephone as he stands next to his desk, looking through a file.
THOMAS
(to the telephone) Yes, yes I understand. (pause) Well, from the time it leaves port, it should reach you in about two weeks. (pause, laughs) Yes, but I’m afraid that I can’t speed up the steamers. But, you’ll be in good hands with the Darling-Mercury Company. Don’t worry about that. (pause) Yes, and thank you. Goodbye. (returns the receiver to the base, then presses the intercom button) Mary, can you bring me the files on the clock deal please?
Joe walks in excitedly.
JOE
I’ve got it all set up, Thomas. It’ll be great!
THOMAS
(confused) The clock deal?
JOE
(confused) The clock deal? (excited) No, I mean…
MARY walks in and hands Thomas the files and leaves again as Thomas takes a seat behind his desk.
MARY
(interrupting) Here are the files you requested, Mr. Mercury.
THOMAS
Thank you, Mary.
Joe watches Mary leave and then returns his attention to Thomas, standing in front of Thomas’ desk.
JOE
This weekend, Thomas. I’ve got this weekend all
fixed up for us. The tickets, the playhouse, a
little dinner afterwards. It’ll be great.
THOMAS
(preoccupied) Oh, this weekend. Yes, yes, yes. I
had forgotten. I was talking with…
JOE
(sits, interrupting) You forgot? How could you
forget? Thomas, I’m really starting to worry about you.
THOMAS
Joe, I just got off the phone with the Timeless Clock Company. They really want those clocks as soon as possible. If we could make this deal go through…
JOE
(preoccupied, interrupting) You really forgot this weekend? After all I’ve done? Why, you wouldn’t believe the strings I’ve pulled to, to, well, okay, maybe there weren’t that many strings, but I did have to make some deals to get us front-row seats, Thomas. (he waves the tickets with a smile) First row! And, I managed to convince Bonnie, that cute little thing who works the counter with Penny, to be your date for the evening.
THOMAS
Can we concentrate on business here for a moment,
Joe? The owner of the Timeless Clock Company, Horace Gamble, will be here the first of next week to finalize this deal. Then, we’ll need to get those clocks on their way across the ocean right away. (see Joe’s absent expression) Are you listening to me, Joe? This is an important deal. Now, Mary has brought in the files so we can review them. We’ll do well to spend the weekend on it.
JOE
I’m familiar enough with the deal. Why, I was there to help convince the seller to let us find a buyer and I helped to find the buyer and talk them into buying from the seller. I don’t really want to spend my weekend working, but if it’s important to the deal then I will—as soon as the play at the playhouse is over.(standing to leave) You know how I convinced Bonnie to say yes to being your date for the playhouse this weekend? I told her you were a lonely grieving widower who needed some companionship for the evening because you’ve thought of nothing but business lately. And, I was right! (he leaves, shutting the door behind him)
THOMAS
(to himself) Sometimes, that charm of his can win
us business, and sometimes… (pause, as he acts stressed and frustrated by Joe)
INT. MERCURY HOME—SITTING ROOM EVENING
Thomas is sitting in the chair, signing some papers as Mary stands nearby.
MARY
Oh, and don’t forget to sign the last page, Mr.
Mercury. (laugh) You always seem to forget that
one.
THOMAS
(looks at last page, laughs) And, so it seems
I have again. (signs as he speaks) My late wife always reminded me to sign that last page as well. Must be a bad habit of mine. (hands the papers to Mary) Thanks again, Mary, for bringing those papers out to the house. I can’t believe I left the office without signing them.
MARY
(putting them in a file) No problem, Mr. Mercury. It was on my way. I’ll have copies made of these for all the parties first thing in the morning. (begins walking toward the door)
THOMAS
Yes, that will do. And, again, Thank you. (he opens the door for her) Uh, did you happen to hear from Joe this afternoon?
MARY
(turns to face him) Not since he left this morning. Um, that must have been soon after I brought you the Timeless Clocks files.
THOMAS
Did he happen to say where he was going or when he’d be back?
MARY
No, sir, Mr. Mercury. He merely muttered something about needing to make certain that you made it to the playhouse this weekend.
THOMAS
Oh.
MARY
Well, if that be all, Mr. Mercury, I’ll be going now.
THOMAS
Oh, yes, of course, Mary. Thank you again and goodnight.
MARY
(turns and leaves) Goodnight, sir.
Thomas shuts the door behind Mary.
THOMAS
(curious) Hum. I wonder where he’s been. (as he walks to the liquor cabinet)And what he’s up to. (he begins pouring himself a drink) (pause) (sigh as he looks at the drink) Oh, maybe I am stuck in a rut. I could make this drink at this time of day with my eyes closed. Maybe Joe is right.
Thomas turns around and looks across the room. MADELAINE
is now leaning against the back of the couch.
MADELAINE
Well, of course he’s right.
Thomas drops his drink.
THOMAS
Madelaine! (pause) But, you’re, I mean… (he goes to the window and looks to the cemetery)
MADELAINE
Dead? Is that what you were trying to say, dear? Well, (she walks to stand behind him) I still am.
THOMAS
(small scream) But?
MADELAINE
See? (she points out the window) I’m still on that right hand corner, right where I’ve been for the past year.
Madelaine steps back and gives Thomas some room to breathe
as Thomas turns to face her, holding one hand against the
window and the other hand reaching out for something but
finding only air.
THOMAS
(startled) But, how?
MADELAINE
(turns and walks to the liquor cabinet) I don’t know how. (looks at the cabinet)(regretfully) Um, I do miss a good glass of wine now and again. (turns back to Thomas)
THOMAS
Stress. That’s what this is. I am simply (walking to the chair) hallucinating because of all the stress of this clock deal (sitting) and the anniversary of your death and (leaning back) it’s just all been too much.
Madelaine reaches over his shoulder and gives him a brandy.
MADELAINE
Here, dear. This usually helps you relax after a stressful day. (sits on the couch nearby) And, I know working with my brother can be stressful at times. He can be such an excitable boy at times. Once he gets an idea in his head, he just won’t let anyone rest.
Thomas alternates looks between Madelaine and his drink.
MADELAINE
(continuing)
What’s the matter, dear? Do you not like your brandy? (begins to stand) Here, I’ll get you another one.
THOMAS
No! (begins loosening his tie nervously)
Madelaine sits back down.
MADELAINE
Well, what’s the matter then? Aren’t you glad to see me?
THOMAS
See you? I see you. I hear you. I’m holding a drink I didn’t… (pause, tastes the drink) I taste the brandy. (stands to leave) I must be ill!
MADELAINE
(sarcastically) Hum. Well, you sure do know how to make a girl feel welcome. What happen to all that wonderful charm?
THOMAS
(walking to the kitchen) Charm? My hallucinations are asking me about charm?
INT. MERCURY HOME—KITCHEN EVENING
Thomas walks into the kitchen and screams, dropping his
drink again when he sees Madelaine sitting upon the
countertop.
MADELAINE
You really should relax, dear. You’ll cut yourself around all this broken glass.
THOMAS
(looks toward the sitting room and back to the kitchen) How did you get in here? You were in there (pointing).
MADELAINE
I don’t know really. I simply wanted to be in here and (snaps fingers) here I was. Aren’t you glad to see me, Thomas?
THOMAS
Joe was right. I’ve been working too hard. (he walks toward the sitting room) I’ve been putting in too many hours. I need rest. And, everything will be back to normal in the morning.
INT. MERCURY HOME—SITTING ROOM/ENTRANCE TO HALLWAY EVENING
Thomas screams when he sees Madelaine suddenly standing
at the entrance to the hallway.
MADELAINE
Didn’t you, after all, say that you wished that I could come back home?
Thomas passes Madelaine at the entrance to the hallway by
facing her, but leaning back so as not to be near her.
THOMAS
You’re dead. You’re not really here. I just need to get some sleep. That’s all. Joe was right. I’ll be sure to tell him that in the morning. He likes to hear such things.
INT. MERCURY HOME—BEDROOM EVENING
Thomas walks into the bedroom and Madelaine is sitting on
the bed. Thomas screams again when he sees her.
MADELAINE
Oh, he does like to hear about it when he’s right, doesn’t he? (laughs) Of course, if you don’t tell him that he’s right, he’ll be sure to tell you. That’s just Joe.
Madelaine stands and holds on to the bedpost as Thomas
walks to the bed, flops down, and lays face-down across
the bed.
MADELAINE
(continuing)
You know, Joe has been like that ever since we were kids. He’s just like our Uncle Joseph. Joe was named after him, you know. He talked all the time and had the reddest hair I’ve ever seen in my life. Uncle Joseph, not Joe that is. But, of course you know that because.. (pause) Thomas? Are you listening?
THOMAS
(talking with the side of his face flat against the bed) Sleep. I just need sleep. (closes his eyes) Everything will be normal in the morning. (he quickly pulls the blanket from the end of the bed up over his head)
INT. MERCURY HOME—BEDROOM MORNING
Thomas awakes when the alarm rings. He requires a moment to
untangle himself from his blanket to turn off the alarm,
stretches, yawns, and scoots out of bed. He looks about the
room and scratches his head.
THOMAS
What a strange dream.
Thomas looks down and notices that he is still wearing the
suit he wore yesterday.
THOMAS
(continuing)
Hum. Strange indeed. (energetic sigh) Oh, well, time to get the day started.
Thomas walks to the bathroom, closing the door behind him.
When he exits, he is wearing a bathrobe and slippers,
humming a happy tune to himself as he retrieves a suit from
the closet and returns to the bathroom, closing the door
behind him. Again, he exits the bathroom and goes to the
dresser to retrieve socks. Sitting on the bed, still
humming, he puts on his socks and shoes. Then, still
humming, he looks in the mirror and puts on his tie, suit
jacket, and combs his hair.
INT. MERCURY HOME—SITTING ROOM MORNING
Thomas, humming, walks through the sitting room, passing
MILDRED, the maid, who is on her way toward the hall. Their
brief encounter occurs at the entranceway to the hallway.
THOMAS
Good morning, Mildred.
MILDRED
Top o’ the mornin’, to you, Mr. Mercury. You’ll find some fresh coffee for you on the stovetop. I’ll be back down to make your eggs in just a minute. Need to get the laundry started before it gets much later.
THOMAS
Yes. Don’t want the laundry on the line too late today, Mildred. Storms are expected this afternoon.
MILDRED
So they are, Mr. Mercury. So they are. (she walks down the hallway)
INT. MERCURY HOME—KITCHEN MORNING
Thomas enters the kitchen. Still humming, he goes to the
stove and pours himself a cup of coffee, then sits at the
kitchen table and opens up his newspaper. When Madelaine
appears, she is sitting at the table across from Thomas.
THOMAS
(judgmentally, as he reads) Um-hum. Should have expected that. (he takes a sip of coffee)
MADELAINE
Should have expected what, dear?
Thomas lowers his paper quickly and drops his coffee, spilling it on his suit. Madelaine grabs a towel from the counter and rushes to him, blotting him dry.
MADELAINE
(continuing)
Oh, dear! Are you burned, Thomas? I think Mildred
has some salve in the bathroom. I’ll get it. (she
begins to leave)
THOMAS
No!
MADELAINE
But, Thomas? Are you sure?
THOMAS
(nervously, stuttering) I’m fine.
MADELAINE
(blotting with the towel again) Well, alright.
What was such bad news that you’d spill your
morning coffee all over your suit?
THOMAS
(moves to stand against the wall) You can’t
do that.
MADELAINE
(folds the towel) I really don’t know what you’re
being so fussy about this morning, dear. (places
the towel on the counter) I was just trying to help. You just don’t seem yourself. (turns to face Thomas, leans against the counter)
THOMAS
(surprised) I don’t seem myself this morning?
Mildred walks in to the kitchen carrying a laundry basket full of sheets, looking at Thomas.
MILDRED
You don’t? Do you not feel well this mornin’, sir? I have heard that there is a bit of a cold goin’ around. A good bit o’ breakfast should fix you right up.
Mildred takes the laundry basket to the edge of the kitchen, then begins making breakfast, cracking eggs into a skillet, putting bread in the toaster, and frying sausage. She does not see Madelaine leaning against the counter, but is near her.
THOMAS
(doubtful) Breakfast, uh, yes.
MADELAINE
Oh, please, Thomas, sit down and try to relax.
You’re so tense this morning. That’s not good
for anyone.
THOMAS
(sitting) Tense? Yes, that’s the word for it.
MILDRED
Tension, yes, sir, that’ll do it. It’ll turn a
strong man into nothing more than a puddle of
mud. It’s all that work you’ve been doin’ lately.
That big clock deal and all. You really need to
slow down, live a little.
Mildred turns to refill Thomas’ coffee up and notices the stain on his suit.
MILDRED
(continuing)
Well, Mr. Mercury, you’ve got coffee all over your suit. You’d do well to change right away and let me have it so those stains don’t set in.
MADELAINE
(sits at the table) She’s right, dear. Coffee stains are horrible. Not as bad as some other stains, but then a stain is still a stain I suppose.
THOMAS
(tired) Perhaps, you’re right. I’ll change right
after breakfast.
MADELAINE
Mildred’s right, Thomas. You do work too hard.
You need to get out more, enjoy life like we used
to do. Oh, don’t you remember how we would watch
the hot-air balloons in the spring fly across the
valley? Or, how we would walk through the quaint
little artists shops, admiring the paintings, and
then we’d have lunch at that little outdoor café?
THOMAS
(confused) You remember the balloons?
MILDRED
(confused) What balloons, Mr. Mercury? Do you mean the balloons that you and the Mrs. always bought for me for my birthday? Now, those were pretty balloons.
Thomas looks to Madelaine and then to Mildred.
THOMAS
(to Madelaine, pointing to Mildred) She?
MILDRED
Oh, it’s hard to believe it’s been a year since
she’s been gone.
MADELAINE
No, dear. She can’t. No one can. You are the only
one who can see me or hear me. Isn’t kind of wonderful, dear? It’s like our own little secret.
THOMAS
(quietly) Uh, yes, I mean no, I mean?
MILDRED
Here you go! (she sets the plate of food before him, then goes to the laundry basket) Hope I
didn’t overcook those eggs.
MADELAINE
(leaning over Thomas’ shoulder, sniffs) Oh, I do
miss Mildred’s eggs!
Thomas looks over his shoulder at Madelaine and swallows hard.
THOMAS
Uh, yes.
MILDRED
What’s that, Mr. Mercury?
THOMAS
(tired) Uh, the eggs are wonderful, as usual, Mildred.
MILDRED
Glad to hear it, Mr. Mercury. I like to see a man
with a good appetite. So, eat up before they get cold! (she leaves the kitchen towards the sitting room)
INT. DARLING-MERCURY OFFICE MORNING
Thomas enters his office carrying a briefcase. Madelaine is standing near a wall, admiring a painting.
THOMAS
(as he enters) Yes, Mary. Ask him to come see
me as soon as he gets in. We need to get
started on those files. (closes door)
MADELAINE
I remember when we bought this painting.
Thomas sees Madelaine and jumps, pulling his briefcase up
to his chest and holding it there.
THOMAS
Oh! Not here too!
MADELAINE
Oh, dear, what’s the matter? Don’t you like
seeing me again?
THOMAS
(walking to his desk) You’re not real!
MADELAINE
(laughs) Well, sure I am. I’m as real as you,
just (pause) a little different. (sits on the desk) We were in Italy. Don’t you remember,
Thomas?
THOMAS
(puts briefcase on the desk) What?
MADELAINE
The painting. Italy. We were in Italy when we
bought the painting. Have I become such a distant
memory that you don’t remember such things?
THOMAS
(sympathetically) Of course not, Madelaine. (surprised at himself) What am I doing? You’re not here. (opens his briefcase and begins putting files on the desk)
Joe enters the room.
THOMAS
(continuing)
You’re not here.
JOE
(laughs, feels his chest) I’m not? That’s funny,
sure feels like I’m here.
MADELAINE
(jumps up with glee) Joe! Oh, that brother of mine hasn’t changed a bit.
THOMAS
(to Joe) I wasn’t talking to you!
JOE
(looks around, sees no one) Well, just who were
you talking to? It’s all that work and no play,
Thomas. It starts to play with a man’s mind.
Joe sits in the chair across from Thomas’ desk as Thomas closes his briefcase and sits down.
THOMAS
Uh, no one. I was just thinking out loud. Uh,
it doesn’t matter. Are you prepared for this meeting with the clock company?
JOE
Yes, I am. I’m also prepared for Friday night.
Uh, you do remember Friday night, now don’t
you, Thomas?
THOMAS
(rubbing his forehead) Friday night, Friday night? Let’s see.
JOE
The playhouse. You, me, and a couple of girls.
(pause) You really need to get some rest ol’
fellow. You’re not looking too good.
MADELAINE
(excited) The playhouse! Oh, how wonderful, dear.
We used to love going to the playhouse. Is she
familiar with the playhouse, dear?
THOMAS
The playhouse. Oh, yes, yes, I remember.
JOE
(doubtful) Uh-huh. Well, like I told you yesterday. I fixed you up with Bonnie. She’s a nice girl. You’ll like her. And, she’s not she pushy kind, so you should feel comfortable on your new first date.
MADELAINE
Joe fixed you up? Oh, that’s wonderful. After all, he did match us up. Joe’s always been a good match-maker.
THOMAS
Yes, he did.
JOE
Yes, who did?
THOMAS
Uh, nothing, nothing.
MADELAINE
It’s time you got out. The playhouse should be a
wonderful evening, Thomas. What’s playing?
THOMAS
Uh, I don’t know what’s playing.
JOE
Well, it doesn’t matter what’s playing, Thomas.
This is about getting you out of the house, back
in the field.
MADELAINE
And, it’s about time, too! (points to a small
clock on Thomas’ desk) This is delightful. Where
did you get it?
THOMAS
France. I got it in France.
JOE
You got what in France? Thomas, I tell you I’ve gone to a lot of trouble to arrange this playhouse evening with you. My reputation may be on the line here. After all, I’ve told Bonnie that you’re a good businessman, a gentleman. But, I didn’t realize that you were a bit insane. (leans across the desk) Now, what’s going on? Come on, you can tell your old buddy, Joe.
Thomas looks to Madelaine, who merely shakes her head no.
JOE
(continuing)
Are you sick, Thomas? Overworked to the point of
illness? (sniffs) I don’t smell alcohol. Of course, you were never much one for drinking anyway. What is it?
THOMAS
You’d never believe me if I told you. (opens a file) Now, let’s get to work on this clock deal. The clocks are ready, we’re just waiting on the meeting, working out a few loose ends, and getting the signatures to finalize the deal.
MADELAINE
(sits on the desk) A night at the playhouse. What
a wonderful idea. You must look presentable, you
know, dress to impress the girl. So, I’ll go home
and pick out something appropriate for you to wear.
THOMAS
Yes, you do that.
JOE
Do what? Get the signatures? Well, we’ll do that
at the meeting. We’ll be there together. You’re
talking like you won’t be there, Thomas. You just don’t seem like yourself, it’s like you’re not paying attention or something. Hum. I think
I’d better plan on sending a car to pick you up
Friday night (pause) or else you might lose your way. Do I need to come over early and make sure you get dressed too?
THOMAS
Uh, no, no, I think it’s being taken care of.
INT. MERCURY HOME—SITTING ROOM EVENING
Mildred is dusting the liquor cabinet when Thomas enters the home, but walks to the back of the couch when he enters.
THOMAS
Oh, Mildred, I didn’t realize you were still here. I must say, you do keep the place looking sharp.
MILDRED
I take pride in the work, Mr. Mercury. By the way, sir, got a call bit earlier from Mr. Darlin’. He mentioned that the two of you are goin’ out this evenin’ and said to remind you about it. He said he’ll be here to pick you up at six sharp.
THOMAS
Yes, he’s reminded me throughout the day.
MILDRED
He also mentioned that I might want to make certain that you’re presentable for the evenin’. So, I took the liberty of layin’ out some clothes for you in your bedroom.
THOMAS
Thank you, Mildred. That was very kind of you.
Thomas walks towards the hallway entrance.
INT. MERCURY HOME—BEDROOM EVENING
Thomas walks in to his bedroom, to his bed, and looks over the suit laying across the bed.
THOMAS
(to himself) Oh, yes, splendid choice, Mildred.
Madelaine walks up from behind Thomas. He jumps when he sees her, rubbing his brow in disbelief.
MADELAINE
Well, I tried to influence her as much as I could but it’s not exactly easy when she can’t hear or see me. Now, the biggest question is the tie. I like her choice of red, but it may be a bit too bold for a first date. (walks to the closet) Don’t want her to think you’re too forward. (walks back to Thomas with a purple tie) Now, this is a bit different, but it’s pretty and not quite as bold as the red.
Madelaine hands the tie to Thomas, which he takes.
Mildred enters through the open door, goes to the closet.
THOMAS
(to Madelaine) When are you leaving?
MILDRED
Well, I can stay as long as you need me, but I was hopin’ to get home in time for supper.
Mildred comes out of the closet and walks toward Thomas.
MILDRED
(continuing)
(excited) Oh, I see you found the purple tie. I just couldn’t make up my mind about that one, so I thought it best just to go with the red. It’s a bit more classic, but the purple is just as nice.
MADELAINE
Purple. Definitely go with the purple.
MILDRED
Your Mrs. was always fond of purple as I recall.
(pause) Well, if you not be needin’ nothin’ else,
sir, I’ll be headin’ home.
THOMAS
That’s all, Mildred. I appreciate all you’ve done.
Mildred walks toward the door, closing it behind her as she leaves.
MILDRED
Yes, sir. Well, goodnight to you.
MADELAINE
(watching Mildred leave) I always did like her.
Such a nice woman. (returns her attention to
Thomas) Now, let’s get you ready for the playhouse.
THOMAS
You didn’t answer my question, Madelaine.
MADELAINE
(taking the tie and lying it on the bed) What question, dear?
THOMAS
When are you leaving?
MADELAINE
(walks to the closet and retrieves a hat box) Are you in such a hurry to get rid of me? Really, Thomas, I’m only here to help. (pulling out the hat) This hat will match wonderfully. (lays it on the bed)
THOMAS
(standing by the bed, watching Madelaine) Help what?
MADELAINE
(walks back to the closet) Not help what, help who. (retrieves a coat) And, this overcoat, I should think. (lays the coat on the bed)
THOMAS
Help who?
MADELAINE
(turns to Thomas) Yes, who, dear. I’m here to help you. (walks to the bathroom)
THOMAS
(standing by the bed) What do I need help with?
MADELAINE
Getting ready for tonight for starters. You should ask Mildred to purchase some new aftershave for you, dear. (pause, as she goes to the dresser with a small bottle) I’m here to help you move on with your life.
THOMAS
(sits on the bed as if fatigued) After this, I’m just going to need to move on to a sanitarium.
MADELAINE
Well, not before the playhouse, dear. Now, come on. Let’s get you ready!
INT. PLAYHOUSE AUDITORIUM EVENING
Thomas sits in the audience. BONNIE is to his right. Joe sits beside Bonnie and Penny is to Joe’s right. In a seat behind and to the right of Thomas sits Madelaine, unseen to Thomas until she speaks. The audience is applauding as intermission begins.
THOMAS
I must say, the playhouse has maintained its
fine selections of material.
BONNIE
So, Thomas you’re a fan of the classics.
JOE
Well, sure, Bonnie. It’s like I told you, Thomas
here is a lifetime supporter of the arts. Why, he’s often donated to the playhouse to make sure it kept going through tough times.
PENNY
That’s true, Bonnie. Why I’ve been at the counter
myself on the many occasions when he’s come to see the performances here.
THOMAS
(clears his throat) I do believe that the arts are important to the community.
JOE
Penny, let’s go stretch our legs before the curtain comes back up.
PENNY
Alright.
Joe and Penny leave, scooting past Thomas and Bonnie.
BONNIE
(pause) So, Thomas, what is it exactly that you do in your line of work?
THOMAS
Joe and I have a little shipping business. We
get products from one location to another,
usually overseas. Sometimes, though, we branch
out a bit. If we know of an item that a company
would like to sell, we find a buyer, act as a
middle-man so to speak.
MADELAINE
Oh, Thomas, please! Don’t talk business.
THOMAS
(looks over his right shoulder, surprised) You!
BONNIE
What was that?
MADELAINE
(leans forward, over Thomas’ shoulder) Tell her
how pretty her dress is. It’s a lovely color.
THOMAS
(struggling) You, uh, well, you look very nice,
Bonnie. (looking over his shoulder) I just wanted
to tell you so.
BONNIE
Thank you, Thomas. (confused at Thomas looking over his shoulder) A girl always likes to hear that.
MADELAINE
And, her eyes, Thomas. Doesn’t she have pretty
eyes?
THOMAS
Uh, yes.
MADELAINE
(slaps Thomas on the shoulder lightly) Well, don’t look at me, silly. Look at her! Tell her
how pretty her eyes are.
THOMAS
(to Bonnie)And, your eyes are quite lovely as well. (uncomfortably) Where are Joe and Penny? The curtain should be rising soon.
BONNIE
They’ll be back in time. You seem rather uncomfortable, Thomas. Are you alright?
THOMAS
Yes, of course. Just thought I heard someone
familiar talking nearby.
Joe and Penny return and take their seats.
JOE
Looks like we made it just in time! Thomas, when
Penny and I were out in the lobby we saw a poster on the wall for American November. Do you remember that, Thomas. Bonnie, I was telling Penny this earlier. When Thomas and I were in high school, we were in this play, you see, American November. It was about this couple who travel to America from France to try and understand what Thanksgiving is all about, you see. So, anyway, Thomas is in the play and he’s playing a waiter who tries to explain Thanksgiving to this couple from France and (laughs) he had to carry a tray full of drinks, real drinks, during this long speech he had to make about thankfulness and gratitude and the growth of America. (laughs) So, anyway, he’s carrying these drinks until, at the heart of explaining what the pilgrims had to do with Thanksgiving, he spills the whole thing all over himself and he’s soaked with these drinks. (laughs) The whole audience was laughing, but they thought it was staged to be like that. But, (pointing to Thomas) Thomas, knew, didn’t you? He was so embarrassed. Thomas refused to be in another play after that.
MADELAINE
I remember that, Thomas. You were so handsome.
THOMAS
That was a long time ago.
BONNIE
Why didn’t you try another play?
JOE
(laughing) I think he had to dry out!
THOMAS
I simply decided to leave the acting to the professionals. Look, the curtain’s coming up again.
INT. PLAYHOUSE LOBBY EVENING
Thomas, Joe, Penny, and Bonnie are near the entrance. Madelaine is standing behind Thomas.
THOMAS
Are you sure we can’t drive you ladies home?
BONNIE
Thanks you, but arrangements were already made for a driver to take us home.
JOE
We should do this again sometime.
PENNY
Sure. Bonnie and I always have access to tickets.
MADELAINE
(nudging Thomas) Well?
THOMAS
Well? (turning his head a bit to the side)
MADELAINE
Aren’t you going to kiss her goodnight?
Thomas clears his throat.
MADELAINE
(continuing)
Oh, Thomas, really! At least kiss her hand. Now,
come on. Be a gentleman.
THOMAS
Bonnie (takes her hand), thank you for a wonderful evening. (kisses her hand and lets go)
MADELAINE
Now, see, that wasn’t so horrible, was it?
BONNIE
It certainly was. Goodnight, Thomas.
JOE
(kisses Penny on the cheek) Bye, ladies!
Penny and Bonnie walk out the door.
JOE
(continuing)
(pats Thomas on the back) Now, how does it
feel to be back in the game, ol’ boy?
MADELAINE
Still a little rusty, in my opinion. But, it is
a start.
THOMAS
Well, Joe, I can honestly say, it’s been an
interesting night.
INT. MERCURY HOME—SITTING ROOM MORNING
Thomas and Mildred pass each other in the sitting room. Mildred is headed toward the entranceway to the hallway.
MILDRED
Top o’ the mornin’ to you, sir.
THOMAS
Good morning, Mildred. Oh, isn’t it Saturday?
MILDRED
Yes, sir. Came over to pick up the sewin’ I forgot when I left last evenin’. I’m making a blanket for my new grandbaby. But, while I was here, I made you some coffee and eggs. They’re awaiting you in the kitchen.
THOMAS
Oh, that was very kind of you, Mildred.
MILDRED
Yes, sir. Well, I just be gathering up my sewin’
and headin’ home. You have a good day, sir.
THOMAS
You, too, Mildred, and thanks for breakfast.
Mildred heads down the hall as Thomas heads for the kitchen.
INT. MERCURY HOME—KITCHEN MORNING
Thomas enters the kitchen. Madelaine is pouring him a cup of coffee. Thomas jumps when he sees Madelaine.
THOMAS
You’re still here! You’d think I’d get used to this or something? (he sits at the table)
MADELAINE
(sets coffee on table) Here you go, dear. I
thought you’d be less likely to spill it all
over yourself this way. Did you sleep well?
THOMAS
Yes, quite well.
MADELAINE
(sits at the table) Wasn’t last night fun,
Thomas? Bonnie seems like a nice girl and the
two of you both seemed to enjoy the play.
THOMAS
It was a good play, but…
MADELAINE
(interrupting) No buts. It went well. So, when
do you see her again? (pause) Thomas, you are
going to see her again, aren’t you? Why, there’s
no reason on earth not to. She’s a fine girl.
You’d do well by her. She could remind you of
how much you enjoy going to the playhouse,
having evenings out. (retrieves the prepared plate of food from the stove, removes the cover, and sets it before Thomas) Why, really, Thomas.
What are you waiting for?
THOMAS
I’m listening to dating advice from my dead wife.
Mildred enters the kitchen and stands near the table.
THOMAS
(continuing)
(looking at his plate) This is very interesting.
MILDRED
Somethin’ wrong with the eggs this mornin’, sir?
THOMAS
(tired) Oh, no, Mildred. Wonderful, as always.
MILDRED
If you don’t mine my sayin’, sir, you still look
a bit worn this mornin’. Are you sure you’re not
comin’ down with somethin’? I could make you some
broth before I leave. It’d be good for you.
MADELAINE
At least you still have Mildred looking out for you.
THOMAS
No, Mildred, really, I’m fine. Please, go, enjoy
your day. You work so hard around here.
MILDRED
Well, if you’re sure, Mr. Mercury. Good day.
Mildred walks out of the kitchen through the back door.
MADELAINE
She’s right, dear. You do look a bit tired. But,
I don’t think you’re coming down with something.
I think you are simply overworking yourself. You
know what they say about all work and no play.
THOMAS
Yes, it makes a man start seeing things.
INT. DARLING-MERCURY OFFICE DAY
Thomas and Joe are sitting at a small desk in Thomas’ office, studying files.
THOMAS
Two days to spare and a tidy little profit. (closes the file in front of him) That should do it! Mary is picking up Mr. Gamble when he arrives at the airport and we’ll be waiting for him here for this meeting first thing Monday morning!
JOE
(excited) HaHa. This is going to be our biggest
deal yet, ol’ boy. (goes to the liquor cabinet)
How about a drink to celebrate? (pours himself
a glass)
THOMAS
It’s a bit too early yet for me.
JOE
Just one for myself, then. By the way, ol’ chap,
you never told me what you thought about Bonnie.
Did I fix you up with a sweet one or what?
THOMAS
(straightening the files on the desk) Bonnie
seems like a very nice girl, Joe.
JOE
Told you so, didn’t I! (sits at the table) I was
thinking about setting up the four of us again,
maybe dinner at that little French restaurant
downtown. You know, the new one that just opened
up a couple months ago. I’ve heard some really
good things about it.
THOMAS
(looks about the room and sees only Joe) Uh, I
don’t think so, Joe.
JOE
Well, why on earth not? Bonnie’s a nice girl, you
said it yourself. And, don’t bring up this deal,
Thomas. The deal is almost completed, and you
need to get out more!
THOMAS
(looks around the room again, sees only Joe) I
just don’t think I’m ready to deal with (pause)
with…
JOE
With what? With love? (pause) And, what are you looking around for anyway? I tell you, Thomas, you’re acting a big strangely lately. For the sake of this clock deal, I hope you don’t act like this when Mr. Gamble and his assistant arrive to finalize this deal. Why, they might not want to sign a deal with someone who’s acting a bit out of his mind like you’ve been doing lately. It’s not good for business.
THOMAS
Joe, you just wouldn’t understand.
JOE
Wouldn’t understand, would I? Hum! Thomas, we’ve
known each other since we were kids. Why, you were married to my sister, we’re family. Of course I’ll understand.
Thomas shakes his head ‘no.’
JOE
(continuing)
Well, alright then. But, I tell you (retrieves
his coat and hat) you’re not acting your self,
not at all. (heads for the door) I’m worried about you, my friend. (opens the door) It’s like you’re seeing ghosts or something.
Joe quickly closes the door as he leaves, but quickly reenters and walks to where Thomas is standing at the table.
JOE
(continuing)
You’re not seeing ghosts or anything like that, are you, Thomas? Because if you were, well, gee,
that really wouldn’t be good for business. But, if you told me, see, I could get you to a doctor or something, we could keep this very discreet, get you some help, no one would ever need to know.
THOMAS
(laughs nervously) Ghosts? Seeing things? Well,
don’t be silly, Joe. Of course, I’m not seeing
things. (sits slowly) Why would I be seeing things. (straightens more files) Certainly, I would tell you if I were seeing things.
JOE
Well, then, what’s the matter?
THOMAS
I’m just stressed over this clock deal. That’s all. (stands and pats Joe on the shoulder) Thank you for your concern, Joe. But, really, once this deal is over, I expect everything to be back to normal. And, I promise, that once this deal is completed, I will take some time off. Perhaps, I’ll even take you up on that offer of dinner with you and the girls.
JOE
Very well, then. (shakes his head and then begins
for the door) I’ll see you bright and early Monday morning.
THOMAS
Monday morning, yes.
Joe closes the door behind him and Thomas sits at the table, then looks about the empty room again.
THOMAS
(continuing)
I certainly hope this is all over then.
INT. MERCURY HOME—SITTING ROOM EVENING
Thomas enters the home. He opens the front door, leans inward, and looks from side to side. The room is empty. He exhales with relief and then confidently steps into the house and closes the door. He sets his briefcase on the floor near the door, removes his coat and tosses it over the chair, and heads for the liquor cabinet, pouring himself a brandy as he hums to himself.
THOMAS
(to the brandy) Ah, Monday will be a good day,
an important day to the Darling-Mercury Company.
Thomas begins to sip his brandy as Madelaine comes in the sitting room from the kitchen and picks up Thomas’ coat.
MADELAINE
Really, dear.
Thomas spills his drink over himself when he hears Madelaine.
THOMAS
(whining) No!
MADELAINE
You should hang up your coat when you come home.
Just hanging it over the chair is not the best
place for it. (hangs it on the coat rack)
THOMAS
You’re still here.
MADELAINE
(going to Thomas) Well, of course, I am, dear. Where else would I go? (sees the spilled drink) Has this become a habit, Thomas? I don’t recall you ever being this clumsy before?
THOMAS
It’s the before part that’s got me a bit uptight.
(walks to his chair and sits)
MADELAINE
(follows Thomas) (pause) Did you eat today? There’s plenty of makings for a good sandwich in the kitchen, if you’re hungry. I could make you something.
THOMAS
No, no, no. I, I, I, uh, ate at the office. (pause) I think I’ll just go to bed early this evening. Get some rest. Maybe that’ll help. (begins toward the hallway) Although it didn’t help this morning, did it? Maybe it’ll help tomorrow. Why am I rambling? I don’t ramble?
INT. MERCURY HOME—BEDROOM MORNING
Thomas is sleeping peacefully on his side of the bed. He appears relaxed, almost smiling. Lying on the bed, above the covers, watching him, is Madelaine, who has propped her head on her hand and her elbow on the pillow. Thomas has a relaxed sigh as he awakes.
MADELAINE
(cheerfully) Good morning, dear!
Thomas turns, sees/hears Madelaine, and, jumps, falling out of bed in the process.
THOMAS
No, this can’t be. It just can’t be.
Madelaine gets out of bed to help Thomas up.
MADELAINE
Oh, my! Are you alright, Thomas? (pause) Dear?
THOMAS
(standing) I’m seeing my dead wife! How alright
could I be!
MADELAINE
(sits Thomas on the bed) I know that this must be
a shock to you, Thomas, but why can’t you just
accept the fact that I’m here? Why, I should think that you’d be glad to see me. (sits, sadly) You did love me, after all. Didn’t you, Thomas?
THOMAS
(pause, calmly) Yes, I loved you dearly. We were
soulmates, you and I. (reflecting) Not a day goes by that I don’t recall your face, your laugh. I remember all those days by the lake when we would just sit and talk (pause) about everything, anything, it didn’t seem to matter. I was older, thought I was wiser, but I always learned so much from you. (pause) You, you were my one true love.
MADELAINE
(smiling, tearfully) Really, Thomas?
THOMAS
(calmly) Yes. (pause) When you were thrown by that horse, and the doctor came, I just thought you needed a couple of days to heal or something. I just couldn’t believe it when the doctor told me you were gone. That’s all I remember about that day, is when the doctor said those words.
MADELAINE
(takes Thomas’ hand) That’s not how I remember that day. It seemed like a perfect day. Beautiful weather and energy in the air. And, you. I remember we rode all day, just enjoying the sunshine. It seemed like we were laughing and smiling all day. And, I remember the roses that day just seemed more beautiful than ever. It seemed like the perfect day.
THOMAS
(puts his hand over Madelaine’s) But, that was the day you were taken from me.
MADELAINE
Is that why you work so much, dear? Because you
remember only the ending?
THOMAS
(quietly) What else is there?
MADELAINE
We all have a choice, I suppose. We can remember
the ending or we can be grateful for all of the
time that we did have together. And, that, Thomas, that’s what I remember, all of the good times, all of time we were blessed to share. (leans her head on Thomas’ shoulder) Don’t live your life in that one horrible moment, Thomas. Remember all the happy moments we had before. That’s how you let go and move on, Thomas.
THOMAS
(shakes his head) Move on?
MADELAINE
I want you to move on, dear. I want you to be happy, to love again, even marry. I spent each day that we knew each other wanting you to be happy. Why do you think that would ever change? (pause) Oh, Thomas, all I could ever want in the world if for you to be happy. It’s all I’ve ever wanted.
INT. MERCURY HOME—KITCHEN DAY
Thomas and Madelaine are sitting at the table, laughing as Thomas eats a breakfast of eggs, toast, and sausage with coffee.
THOMAS
(excited, laughing) I do remember that! And, then
just as the preacher is about to pronounce us man and wife, that rabbit races by, followed by the dog. Even the preacher couldn’t help but watch! (go to the stove for coffee) Would you like more coffee, Madelaine. (pause) Oh, sorry, forgot.
MADELAINE
(laughs) It’s alright, dear. It takes some getting used to.
THOMAS
(sits again) Oh, we did have a lot of laugher
in this house.
MADELAINE
And, it is laughter that shall be here again,
Thomas. I’ll help you see to it.
THOMAS
(laughs) Hey, do you remember that trip we took
to Niagara Falls?
Thomas and Madelaine laugh.
INT. MERCURY HOME—BEDROOM MORNING
Madelaine is straightening Thomas’ tie.
MADELAINE
That should just about do it.
THOMAS
Well, (standing back a bit) what do you think? This could very well be the most important meeting that the Darling-Mercury company has ever had—up this point, mind you.
MADELAINE
You look dashing, dear, very smart.
THOMAS
Okay, well, I’ll grab my briefcase on the way
out and be on my way.
MADELAINE
But, what about breakfast, dear?
THOMAS
No time, this morning, Madelaine. I’ll be sure
to eat something at the office, though. Don’t you worry. (heads for the door)
MADELAINE
Good luck, Thomas. I hope this deal turns out to
be everything you’re hoping for!
THOMAS
(from the door) You’ll be here when I return,
won’t you?
MADELAINE
(pleased) Well, of course, dear, waiting to hear
all about it!
INT. DARLING-MERCURY OFFICE MORNING
Thomas and Joe are in Thomas’ office, in the center of the room.
JOE
I don’t think I could be more nervous if I were
getting married.
THOMAS
You’ll do fine, don’t worry. (straightens Joe’s
lapel) There, now, perfectly presentable.
Mary opens the door and enters. HORACE GAMBLE and, his daughter/assistant, HELEN GAMBLE, follow Mary. As they enter, they are met by Joe and Thomas who shake hands with the Gambles. Mary exits after the introductions.
MARY
Here we go, Mr. and Ms. Gamble. I’d like to introduce our owners, Joe Darling and Thomas
Mercury.
THOMAS
So nice to finally meet you in person, Mr. Gamble.
HORACE
Horace, please. I always did prefer being able
to put a face with a name.
JOE
How was your trip, sir?
HORACE
Very well, sir, very well. (turns to Helen) And,
may I introduce my assistant, my lovely daughter,
Helen.
THOMAS
How do you do, ma’am?
HELEN
Fine, thank you.
JOE
Well, Mr. Gamble never said his assistant was
so easy on the eyes. Of course, he never said
that she was his daughter, either.
The parties laugh.
THOMAS
Please, let’s all sit. Would anyone care for
something to drink?
HELEN
No, thank you.
HORACE
Nothing for me, thanks. (to Joe) Helen is actually quite smart with the numbers, you see,
but I find that it tends to concern people if they find out that my daughter is my assistant. So, I don’t usually bother to tell them until the deal is nearly complete. (proudly) She helps to create financially sound business deals and I’m able to keep the family business in the family.
JOE
Well, we’re all about family here at Darling-Mercury.
HORACE
And, there’s been no problems with the deal, thus
far?
THOMAS
No sir, none at all. The manufacturer has the clocks you’ve requested already produced. They’re simply waiting in crates for your signature on the deal.
HORACE
Yes, I saw the prototype. Fine, fine, timepieces they are. Beautiful works of art. Perfect specimens for the Timeless Clock Company to sell. My company is proud to represent such fine craftsmanship.
JOE
They are lovely. And, what about you, Helen? Have
you seen the clocks.
HELEN
Yes, of course.
HORACE
(proudly) My dear daughter was the one who
brought them to my attention.
HELEN
When you first contacted our company inquiring if we would be interested in the clocks, your secretary, Mary, sent us some sketches and photographs. From there, we were able to receive the prototype. The work was exquisite.
THOMAS
So glad you approved. We’ve shipped for the manufacturer before, and we’ve heard only positive feedback regarding the quality of these fine clocks.
HORACE
Time passes so quickly. One should be able to measure it by a masterpiece.
JOE
True, so true. Now, did you have any concerns
regarding the dates of departure and arrival of the clocks?
HORACE
We did at first, but not since speaking with Thomas at the end of last week. We feel we will still be able to receive and advertise the clocks in plenty of time for the major shopping season.
THOMAS
Does that mean we’re ready to sign?
HORACE
Yes, sir, it does. Let’s put ink to paper and get
those clocks on their way!
JOE
And, I understand that you and Thomas came to an
agreement on the costs.
HORACE
Yes, thanks to Helen, here.
Thomas goes to his desk and presses the intercom button.
THOMAS
Mary, could you bring in the clock contracts, please.
HELEN
We’ve decided that the additional packaging is a wise expense considering the value of these clocks.
Mary enters the room with some paperwork, handing it to Thomas who is back at the table.
MARY
There’s fresh coffee is anyone would like some.
THOMAS
Everyone?
Everyone shakes their head yes.
THOMAS
(continuing)
Wonderful idea, Mary. Let’s celebrate this deal with a fresh pot of brew!
Mary leaves the room as Thomas begins handing out the papers.
THOMAS
(continuing)
And, right here, sir, is where we all need to
sign.
Horace begins signing as the others watch on smiling.
INT. MERCURY HOME—BEDROOM DAY
Thomas excitedly enters the bedroom.
THOMAS
Madelaine! Madelaine?
MADELAINE
(coming from behind) Yes, dear.
THOMAS
We did it! We did it! We got the deal!
MADELAINE
That’s marvelous, dear!
THOMAS
Can you help me pick out something for dinner?
MADELAINE
(confused) On a Monday night?
THOMAS
Yes (going to the closet), Joe and I are taking
the Gambles out to dinner to celebrate the deal.
I’m so excited. This is the biggest deal we’ve
ever made.
MADELAINE
Hum. Monday night? Stick with the blue tie. You
don’t want to dress up too much on a Monday night.
Thomas pulls out the blue tie and goes to the mirror, removing the similar tie he’s wearing and beginning to tie the one from the closet. Madelaine comes from behind him.
MADELAINE
I’m so happy for you, dear. I know how hard
you’ve worked on this deal.
THOMAS
And, Joe, too. And, Mary. Everyone. We’ve all
chipped in. We really should throw a company
party or something once those clocks make their
destination. (having trouble with the tie)
MADELAINE
Here, dear, let me help. (begins tying his tie)
THOMAS
Mr. Gamble, you’d like him. He’s a good man, good
man to do business with, trustworthy, you know. And, you’ll never believe who his assistant is, Madelaine. His daughter! His assistant is his daughter.
MADELAINE
(impressed) Really! (curious) In ability or in
name only? (finishes the tie and pats it)
THOMAS
(going to the closet for shoes) She seems to really know her father’s business. I just don’t know, though, Madelaine, having a daughter oversee that big of a business.
MADELAINE
(laughs) Well, dear, women are more independent than they used to be. This isn’t the eighteen-hundreds anymore.
Thomas finds shoes and takes them to the bed, sitting and changing his shoes as Madelaine walks over and leans against the bedpost.
THOMAS
Yes, I suppose you’re right. I really should be grateful. Helen, that’s her name, Helen Gamble, she seems to have assisted in talking her father into this deal.
MADELAINE
So, there you have it. Women, we have not only intuition, but intelligence as well.
THOMAS
(smiles) Yes, (laughs) I should have learned that
from you. (pause) But, in either case, (standing) I’m just thrilled that this deal is made (walking to Madelaine) and I intend to eat tonight until I’m stuffed! (kisses Madelaine on the cheek) Goodbye, Madelaine.
MADELAINE
(smiling) Goodnight, Thomas.
Thomas exits through the door.
INT. RESTAURANT TABLE EVENING
Thomas, Joe, Horace, and Helen are sitting around a table at an elegant restaurant. Dessert is being served.
JOE
Oh, doesn’t that just look wonderful!
HELEN
(laughing) I’m not sure how much more I can
hold.
JOE
(tasting it) Delicious. Give it a try, Helen.
HORACE
I can’t remember the last time I ate this much.
HELEN
Oh, I do. Remember, Father. It was at the spring festival. We host the annual festival to raise money for various organizations in the community. Father always tries to give back.
HORACE
(humbly) It’s a matter of principle, you see. I believe that one who benefits has a duty to benefit others. In other words, show thanks to those who have helped us along the way to success.
THOMAS
Fine, philosophy, sir, fine indeed.
HELEN
Father is most generous with the local children’s hospital and the military veteran’s, you know. But, he also supports our local creative institutions, such as the center that offers free classes in music and art.
HORACE
(humbly) They do quite impressive work, really. And, they put on musical performances and sell paintings to help raise money for other organizations. It all works together, somehow, all of us supporting each other.
JOE
Are you of the artistic type, Ms. Helen?
HELEN
(shyly) Well?
HORACE
(proudly) My daughter is very good at the arts, my dear sir. Each year she sings in the annual Christmas Choir and she’s even sold a painting or two at the annual festival.
THOMAS
You must be quite proud of her, sir.
HORACE
Yes, I am!
HELEN
(humbly) My father tends to brag on me, sometimes more than I deserve.
THOMAS
Are you working on any current projects, Helen?
HELEN
Well, I’ve not concentrated on it, lately, with this clock deal and all, but when I return home I hope to resume work on a local theatre production.
THOMAS
Oh? What kind of production?
HELEN
Well, there is a local non-profit theater called The Nest that has difficulty maintaining the funds it requires to remain open. Each year, they put on some wonderful performances, mostly the classics, and I try to help them raise money to continue their work. Some of the local talent has received training there that has helped them to pursue their dream of Broadway. But, even those who haven’t had such lofty dreams have found some type of contentment at The Nest. Somehow, this little theatre has brought the community closer, built families.
HORACE
Their productions have helped raise money for projects like a new wing at the hospital and new textbooks at local schools. They even offer acting classes to the children in the summer. Some of those kids would probably be getting into trouble if it weren’t for those classes.
THOMAS
I’d like to hear more about this. Joe and I are also interested in the arts. Perhaps this is something we would interested in contributing to.
JOE
Well, sure! We have a wonderful little playhouse here that you should see while you’re in town. Perhaps we could all share some ideas!
HELEN
That sounds wonderful!
JOE
How long will you and your daughter be in town, Horace?
HORACE
Only for a few days. But, we’ll make time for this playhouse of yours. I’m sure the theater back home could benefit from it.
Helen looks at her father with excitement as Thomas raises his glass for a toast.
THOMAS
To the arts.
EVERYONE
To the arts.
HORACE
And, to the future unions of the Timeless Clock Company and the Darling-Mercury Company.
INT. MERCURY HOME—KITCHEN MORNING
Thomas and Madelaine are sitting at the table. Thomas is eating the breakfast Mildred has prepared.
THOMAS
And we ended the evening with a toast. But, I think the playhouse could benefit from this deal as well. It’s always a good practice to exchange ideas. One always seems to learn something that way.
MADELAINE
I’m just glad the evening went so well, and this girl, Helen, she seems just delightful. (taps her fingers on the table)
THOMAS
(notices the fingers) Now, Madelaine, don’t go getting any crazy ideas. Besides, I think your brother, Joe, has a bit of an eye for her.
MADELAINE
(stops tapping her fingers) Oh, Joe, has an eye for every girl. But, Helen, well, she’s smart and she’s interested in the arts. And, you’re smart and you’re interested in the arts. It could be quite the match, you know.
THOMAS
No.
MADELAINE
Is she married?
THOMAS
I don’t think so.
MADELAINE
So, she’s available? Or, she has a boyfriend?
THOMAS
She’s a business associate, Madelaine. We didn’t discuss such things.
MADELAINE
Hum. (begins tapping her fingers again)
THOMAS
I mean it, Madelaine. No funny business.
MADELAINE
(stops tapping her fingers, pause)Thomas, if the Gambles will only be in town a few days, why don’t you invite them over for dinner. Just a cozy little meal between friends. Of course, Joe would come since he is your business partner. Oh, I’m sure Mildred could whip up something delicious. And, it would be good business, good public relations as they say.
Mildred walks in from the sitting room and goes to the sink and begins cleaning dishes.
THOMAS
(wipes his mouth) Last evening did go well.
MILDRED
Well, glad to hear it, sir! (confused) How did you know I had come in?
THOMAS
(pause) (searching for answer) Heard the door. (goes to the sink beside Mildred, pause) Mildred, is there any chance you might be able to prepare a small dinner party for four people, uh, say by tonight. It doesn’t need to be anything fancy, just a good home-cooked meal.
MILDRED
A dinner party, sir? Here? (smiles) Really!
THOMAS
Do you think you could have it ready by tonight?
MILDRED
Let’s see. (considering)I’ll need to get some shoppin’ done, (getting excited) but I should have plenty of time. Oh, how excitin’. I’ve not been asked to prepare a small dinner party in, in, well, since just before the Mrs. died.
MADELAINE
(leaning over her chair towards Thomas) And, use the good china. It’ll make a better impression.
THOMAS
Yes, of course, dear.
MILDRED
(confused, concerned) Dear? You best not be callin’ me dear, sir. Not quite appropriate, you see.
THOMAS
Oh, I’m sorry, Mildred. Forgot who I was talking to.
MILDRED
Forgot who you were talkin’ to, sir? Why, there’s no one else here. Who else would you be talkin’ to, sir? Are you feeling quite well this mornin’?
THOMAS
Uh, yes, so sorry. I simply misspoke. Could you pull out the good china for this evening?
MILDRED
(excited) The good china! Oh, yes sir. And, that beautiful linen for the table, too. Oh, what a sight it will be. Now, who shall I be expectin’ to serve, sir?
THOMAS
It will only be myself, Joe, and our new business associates, Horace Gamble and his daughter, Helen.
MILDRED
(gets a notebook from a drawer) I’ll begin makin’ my grocery list right away!
THOMAS
(heads for the door) Thank you, Mildred. We’ll make dinner about seven-thirty. Call me at the office if you run into any snags.
MILDRED
Will do, sir! And, top o’ the mornin’ to you!
Thomas leaves through the door to the sitting room. Mildred looks briefly to the door after he’s gone. Madelaine begins tapping her fingers on the table again, looking as though she’s scheming.
MILDRED
(continuing)
(confused) Forgot who he’s talking to? (shakes her head and returns to her list) Let’s see now,
butter, onions.
MADELAINE
(smiles) Helen. Hum. Maybe that’s the girl for him!
INT. DARLING-MERCURY OFFICE DAY
Thomas is sitting at his desk. Mary is across from his taking notes on a steno pad.
THOMAS
Seven-thirty, Mary. And, please make sure they have directions out to the house. Actually, before you call them, find Joe. It would look better if Joe actually drove them to the house.
MARY
Right away, Mr. Mercury.
THOMAS
And, when the Gambles are on their way back home, we need to be certain to send them a thank you card and gift of some kind. It’s needs to be right, though, Mary. These are nice people and I expect that we’ll be doing business together for years to come. We don’t want anything too cheap or too expensive. Either of those might send the wrong impression. No, we’ve got to take the time to choose something very appropriate.
MARY
Any suggestions, Mr. Mercury, that you’d like to use to begin a list?
THOMAS
No. Madelaine was always good with those types of things.
MARY
Well, I’ll think on it and see if we can come up with something.
THOMAS
Thank you, Mary. They’ll be here a few days, so we’ll have a little time to think it over. But for now, concentrate on finding Joe and inviting the Gambles to dinner at my home.
MARY
(stands) Yes, sir, Mr. Gamble. (walks out)
Thomas opens a file on his desk and begins making notes. Soon, Joe walks in with excitement, standing behind the chair across from Thomas’ desk.
JOE
Didn’t last night go splendidly? What a success!
Isn’t that Helen a swell girl? I was thinking about asking her to the playhouse. Of course, that might get a little difficult with Penny working there and all. Maybe Penny wasn’t such a great idea. Anyway, Thomas, dinner tonight is a wonderful idea. I can’t believe you thought of it, really. It sounds more like something that sister of mine would have thought up. But, I’ll pick up the Gambles and be out at your place at seven-thirty! Dress well, ol’ pal. We’re still making a good impression. (begins to walk out, but stops to look at the clock) I love clocks! (walks out, closing the door behind him)
THOMAS
(looks at the door) Rambling must run in the family. (smiles, laughs)
INT. MERCURY HOME—SITTING ROOM EVENING
Mildred is opening the front door as Thomas enters the sitting room from the hallway, straightening his tie. Joe, Helen, and Horace come through the door.
MILDRED
Good evenin’ to you. Welcome, please come in.
May I take your coats?
HELEN
Oh, thank you.
Helen, Joe, and Horace remove their coats, handing them to Mildred.
MILDRED
I’m Mildred, the housekeeper, and you’re in luck tonight ‘cause I’ve fixed the specialty of the house.
JOE
Lamb! Wonderful. She’s right, you are in for a treat. Why Mildred is the best cook in the region! She roasts it with these vegetables. It makes my mouth water just thinking about it! (goes to the liquor cabinet) Anyone for a drink before dinner?
HORACE
None for me, thank you. (hands Thomas a bottle of wine) We were told that this was the favorite of the locals, Thomas.
HELEN
Nothing for me, either, Joe.
THOMAS
(looks at the bottle) It certainly is! And, it should go beautifully with dinner. (hands the bottle to Mildred)
MILDRED
(looks at the bottle) Oh, yes, sir, Mr. Gamble. Very good choice, indeed. I’ll be puttin’ it on ice to chill as dinner finishes its last few minutes of cookin’. (goes to the kitchen)
THOMAS
Please, everyone, have a seat.
Joe brings his brandy from the liquor cabinet and sits on the couch. Thomas sits in his usual chair. Helen sits on the couch near Joe and Horace sits in a chair opposite Thomas.
HELEN
What a beautiful home you have here, Thomas.
THOMAS
Why th...
JOE
(interrupting) Why, Helen, did you know that this house is over hundred years old? It must surely be haunted or something. Thomas and I used to be frightened of this house when we were kids, but then Thomas bought it after the business began to take off.
Madelaine is standing near the liquor cabinet watching.
MADELAINE
(quietly) Yes, I think she shall do very well.
Thomas turns and notices Madelaine, but then quickly returns his attention to the conversation.
THOMAS
I liked that the house had so much history. That’s why I bought it. A wealthy businessman used to live here, built it from his imagination they said, and it was his daughter that started the playhouse that has become so dear to me.
Madelaine comes and stands behind Thomas’ chair.
MADELAINE
She’s quite pretty, Thomas. Haven’t you noticed?
THOMAS
(clearing his throat) Anyway, Joe is right. We were frightened of this old house when we were kids. We’d walk past it as fast as we could because we thought it was (peaking over his shoulder) haunted or something. But, I guess you simply grow out of such things.
HORACE
Speaking of the playhouse, Thomas. Helen and I stopped in to pay them a visit today, just to see how things were run. And, we’ve decided that we’d like to make a donation to the playhouse while we’re here, a way to letting them know they’re doing a fine job.
HELEN
Yes, we thought, perhaps, that the Darling-Mercury Company would like to match a donation. But, we’d like it to be anonymous if you don’t mind.
HORACE
That’s right. Give for the sake of giving, not for the publicity of it all.
MADELAINE
I like this girl! She comes from good stock, Thomas. It’s a good idea. It truly is.
JOE
Uh, well, Horace, you know a little publicity never hurt anything and it might encourage others to give.
THOMAS
No, Joe, I think they’re right. And, I think it’s an idea that certainly merits further discussion. You know, I’ve changed my mind about that drink. Horace, Helen? (he goes to the liquor cabinet)
HORACE
Perhaps a small one.
HELEN
Well, I wouldn’t want to be the wet blanket. I’ll have a small drink as well.
MADELAINE
(at the liquor cabinet) This is going well.
THOMAS
(quietly) Yes, it is.
JOE
Did you say something, Thomas?
THOMAS
Oh, just talking my way through making the drinks. Bad habit, I suppose.
MADELAINE
Ask her if she rides. Ask her if she likes walks and roses and balloons. (following Thomas to the others, standing behind his chair) Ask her what she thinks about paintings and sculptures.
Mildred enters from the kitchen.
MILDRED
Mr. Mercury, sir, just lettin’ you know that dinner should be ready in about ten minutes. The table in the dining room is readied, so you make take your seats any time you wish.
THOMAS
Thank you, Mildred.
Mildred leaves through the kitchen door.
HORACE
She seems quite competent.
THOMAS
Mildred? Yes, she’s the best. She seems to know what is needed to be done before it’s actually necessary. She keeps this house running smoothly, that’s for sure.
HELEN
How long has she been in your employ, Thomas?
THOMAS
Mildred’s family has taken care of this house since it was built. Mildred lives down the road a ways, but she basically grew up in this house following her mother around as she worked here. She takes great pride in keeping this house beautiful.
MADELAINE
(shaking her head) Mildred’s often been like a mother around here.
HELEN
Who chose the paintings, Thomas? I couldn’t help but notice the selections.
JOE
Aren’t they beautiful? They come from all over the world.
HELEN
Each one seems to tell a story, as if it simply grasps the imagination and holds the attention.
THOMAS
Most of them were chosen by my late wife, Madelaine. She had wonderful taste, but perhaps I’m biased in that regard. She chose these paintings from local artists and artists from our travels who were on the rise. I suppose it was our way of privately supporting the arts.
HELEN
She had exquisite taste, Thomas.
JOE
She was my sister, you know. Madelaine, that is.
THOMAS
She died in a riding accident a year ago. Thrown from a horse who was spooked.
HORACE
Sorry to hear about that, Thomas. I’m sure she was a wonderful woman.
THOMAS
Yes, sir, she was.
MADELAINE
But, life must go on!
THOMAS
Yes, but life goes on.
HELEN
Do you still have horses, Thomas?
THOMAS
Palominos. I know Madelaine would have disapproved of my selling the horses, so they’ve remained. But, I don’t ride much anymore.
HELEN
What a shame. They’re such beautiful animals. So free, the way they run through the fields.
MADELAINE
(whispering to Thomas, smiling) And, she likes horses! Ask her to see the stables, Thomas. Come on! You used to love the stables.
JOE
You ride, Helen?
HORACE
(grimacing) Oh, every chance she gets. I think Helen would have been born a horse if she had had the chance.
HELEN
Oh, father! But, it’s true that I do love the animals. As a child, Father gave me a pony, and it’s been true love every since. There’s nothing better than riding through the fields on a warm spring day.
MADELAINE
Come on, Thomas, ask!
THOMAS
Perhaps you would like to visit the stables while you’re in town. Even ride, if you’d like. I’m sure the horses would appreciate the exercise. The trainers make certain they’re exercised as much as need be, but no one has really taken them for a ride lately. The horses would probably enjoy it.
HELEN
Oh, that sounds delightful.
JOE
(sarcastically, to Thomas) Yes, just delightful.
Mildred enters from the kitchen door.
MILDRED
Dinner is served, sir.
THOMAS
Well, everyone. Let’s make our way to the dining room, shall we. I can’t wait to taste what delicacies Mildred has prepared for us.
The parties begin to leave the sitting room.
MADELAINE
Now, if I can just get them alone. (crosses her arms and thinks, smiles with a plan)
INT. MERCURY HOME—DINING ROOM NIGHT
Joe, Thomas, Helen, and Horace have completed their meal. Helen is politely wiping her mouth as Mildred walks in to retrieve the plates.
HELEN
Superb, Mildred. A taste of Heaven.
MILDRED
It is my specialty, Ms. Gamble. The trick is to cook it slowly and not to rush it. Is everyone ready for dessert?
JOE
Always!
HORACE
Tell me Mildred, (leaning in to Mildred, quieter) do you ever share your recipes?
MILDRED
(a bit quietly) Oh, no, Mr. Gamble, sir. It’s a family secret, you know. But, considerin’ that you are a friend of Mr. Mercury, perhaps I can make this one exception.
HORACE
(chuckling) Thank you, Mildred.
MILDRED
I’ll have it written down for you before you leave this evenin’, sir. (leaves with the plates)
HELEN
Thomas, do you ever race your horses?
THOMAS
No, Helen, although I do somewhat follow the sport. But, between finding a winning horse and applying the proper training, the risk of injuries to the animals, it simply wasn’t anything I was ever interested in putting that much work into. However, we do have a couple of horses that used to race professionally. Neither won any of the elite crowns, so when their careers were over their owners decided to sell.
HORACE
I invested once in a racing horse. Just a monetary investment, really. I wasn’t responsible for any of the actual horse training. It’s a difficult manner by which to make money. I prefer more predictable means by which to earn a living.
JOE
Like clocks!
Joe lifts his glass in a toast-like manner toward Horace as Mildred reenters the room and places a dessert in front of each party.
MILDRED
Enjoy! (leaves the room again)
JOE
(tastes the dessert) Oh! She’s outdone herself again! Mildred is definitely the best cook in the region. Why, in the summertime, she’s always cooking meals with fresh fruits and vegetables from the garden. I try and come over to Thomas’ house as much as possible when the garden is being harvested. (laughs) I always know I’ll leave with a full stomach. Once, I even saw Mildred cook a desert, a pie it was, and she used rose petals in the pie. Rose petals! It was marvelous! Who ever would have thought of such a thing.
HELEN
(surprised) Really!
THOMAS
Mildred is quite fond of cooking. She searches for old recipes and studies texts on how to use herbs and flavorings of all sorts. She has quite an extensive knowledge of the culinary arts, really.
HELEN
She and your late wife must have gotten along well, considering that they both had interests in the arts of one type or another.
THOMAS
Yes, they got along famously.
JOE
Mildred even tried to teach that sister of mine to cook, but let’s just say it never caught on.
HORACE
(laughs) One cannot be a master of all tasks. Does Mildred tend to the garden as well?
THOMAS
She and Madeleine tended to the garden together, but in the past year, Mildred has tended to things by herself. I’m quite proud, I should say, of how well Mildred has tended to the rose garden. That was always such a source of pride for both of them.
HORACE
We also maintain a rose garden back home. There’s just something about those lovely flowers that remind one of love. In her spare time, not that there’s much of it, I often find Helen reading out in the rose garden.
HELEN
It’s very peaceful there, quiet. It’s easier to concentrate on what I’m reading.
THOMAS
(intrigued, smiles at Helen) Yes, I agree. The scents of the flowers bring out a wonderful opportunity for reflection.
HELEN
Yes, they do. (smiles with interest at Thomas)
Horace notices the smiles between Thomas and Helen.
HORACE
And, do you intend to ever remarry, Thomas?
Thomas pauses as he looks about and does not see Madelaine, but does see Joe looking at his curiously. When Thomas looks back to Horace, Madelaine appears over Thomas’ shoulder.
MADELAINE
The answer to that, dear, would be yes.
THOMAS
Perhaps. It seems to have been suggested to me quite frequently as of late.
Joe pauses, his expression is one that resigns to realizing that Helen has eyes for Thomas and not for Joe.
JOE
(reassuringly) Well, sure you will, Thomas. I’ve known Thomas since we were kids. He was a good husband to my sister and I know he’ll make a good husband to another woman. (joking) But, I ran out of sisters, you see! (smiles)
Mildred reenters the room.
MILDRED
How’s everyone doin’? Can I get you anything?
HELEN
Oh, I couldn’t hold another bite. But, thank you for making such a delicious meal, Mildred.
JOE
(putting his hand to his stomach) And, nothing more for me either, Mildred.
MILDRED
(looks to Joe with surprise) Are you feelin’ alright, Mr. Darlin’. Was there something wrong with your dessert?
JOE
(laughs) No, Mildred. Perfect as always.
THOMAS
Mildred, I think we’ll settle in for drinks in the sitting room. The meal was scrumptious. Thank you for putting it together so quickly.
MILDRED
(smiling proudly) Not a lick of trouble, sir.
INT. MERCURY HOME—SITTING ROOM NIGHT
Thomas sits in his chair. Helen and Joe are again on the couch and Horace sits in a chair across from Thomas. They each have a drink in their hand. Madelaine sits on the armrest of Thomas’ chair. Everyone is laughing.
JOE
So, anyway, that was the extent of Thomas’ acting career.
THOMAS
(smiling) And a story that I wish my ol’ pal here would forget.
MADELAINE
Oh, he means nothing by it, dear. Perhaps you really should try acting again. It was so much fun.
HELEN
Oh, you should try at least once more, Thomas, so that you can prove to yourself that you’re more than your first performance. Besides, every actor has some similar story to tell. Plays are so much fun.
MADELAINE
Hear that! She’s perfect for you. You should marry this girl!
THOMAS
(coughs as he slightly chokes) Excuse me!
HELEN
Are you alright?
THOMAS
Oh, yes, yes, yes, I’m fine.
JOE
Just a little overwhelmed with stage fright! (pause) But, it’ll be alright, ol’ boy. I agree with Helen. You should give it the ol’ college try.
THOMAS
(clearing his throat one final time) I don’t think I’m prepared to entertain this idea at this time. Perhaps in the future. Just perhaps.
MADELAINE
Perhaps, perhaps, what are you waiting for?
HELEN
Why put it off? Your fear will only grow with time. When Father and I were viewing the playhouse today, I noticed a poster for auditions for an upcoming play written by a local playwright. Why not give it a try?
MADELAINE
Marry her, I say. You’re not getting any younger, you know.
THOMAS
No, right now, I’m aging very quickly.
JOE
(laughing) What?
THOMAS
Oh, nothing, nothing. I appreciate your encouragement, Helen, and I shall give your idea consideration, but I don’t think I’m ready for such an endeavor at this time.
HELEN
(laughing, raises her glass) To the future then.
EVERYONE
(chuckling, raises their glasses) To the future.
HORACE
Well, it really is late. We should be going. (stands, shakes Thomas’ hand) Thank you for a splendid evening.
The others stand as Mildred enters the room, goes to the closet and retrieves their coats and hats.
THOMAS
I’m so glad you came. And, Helen, remember the stables in the morning.
HELEN
Oh, I look forward to it. I’ll be here around nine? Is that alright?
MADELAINE
(standing behind Thomas, smiling) She’s looking forward to it!
Joe, Horace, and Helen approach the door where Mildred is waiting with their things.
MILDRED
If you’ll come a bit earlier, Ms. Gamble, you’ll be in time to have part of big country breakfast.
MADELAINE
That’s a great idea!
THOMAS
Well, sure, Helen. You should never pass up a chance to have one of Mildred’s breakfasts. Say,
about seven?
HELEN
Seven it is, then.
MADELAINE
Thomas! Where are your manners? Be a gentleman and help her with her coat.
THOMAS
Uh, yes, Helen, (takes the coat from Mildred) let me help you with this.
Joe puts on his coat and hat as Helen slips into her coat and Horace puts on his coat and hat.
HELEN
Thank you very much.
MILDRED
(whispers to Helen) Anything special you’d like
for breakfast, Ms. Gamble?
HELEN
I’m sure whatever you’ll fix will be fine.
JOE
And, while you and Thomas are viewing the stables and this fine property of his, I’d be honored to show your father around our fine city.
HORACE
I’d appreciate that, Joe. I have a feeling I’ll be spending quite a bit of time here. (turns for the door) Well, goodnight everyone. (leaves)
THOMAS
Goodnight.
HELEN
Yes, goodnight. (follows Horace)
JOE
(quietly to Thomas) Way to go, ol’ chap! (leaves)
Mildred shuts the door and turns to Thomas.
MILDRED
He’s right, you know, sir.
THOMAS
About what?
MILDRED
Ms. Gamble seems like a fine catch, if you don’t mind me sayin’, Mr. Mercury. And, this house has been so long without a lady of the house to show if off at dinner parties and the like.
MADELAINE
(from the chair) She’s so right, Thomas.
MILDRED
Perhaps, it is time there be a lady of the house again, if you know what I mean, sir.
THOMAS
(sighs, looks to the chair) Yes, Mildred, I know what you mean. (to Mildred) Let’s just see how things progress.
MILDRED
As you say, Mr. Mercury. I’ll just finish cleanin’ up here and be on my way home. (begins for the kitchen but turns around) Oh, and for breakfast, Mr. Mercury. Anything special?
THOMAS
No, Mildred. Just the usual.
MILDRED
(curiously) And, shall I prepare a lunch, sir?
MADELAINE
Yes, of course, Helen should stay for lunch!
THOMAS
I don’t know yet, Mildred. We’ll have to wait and see.
Thomas sits in his chair as Madelaine sits on the armrest.
MADELAINE
Don’t fight it, Thomas.
THOMAS
Don’t push me, Madelaine.
MADELAINE
You could use a little pushing, dear. Helen seems friendly, bright, you share similar interests. She could brighten this old house. She could make you happy. I thought, tonight, that I saw you laughing at something she said. It’s nice to hear you laugh again, Thomas. And, (pause) She’s young, Thomas. She could give you the children I never could.
THOMAS
One step at a time, Madelaine. One step at a time.
INT. MERCURY STABLES DAY
Thomas and Helen are walking into the stables and Thomas leads Helen to a horse as a TRAINER saddles him.
THOMAS
But, we’re situated here to house approximately twenty horses. We try to keep one or two stalls empty just in case we need the extra room for some reason. (at the horse) And, this is Magnolia.
HELEN
Oh, Thomas, she’s beautiful.
THOMAS
Bought her from a neighbor who didn’t think she had the potential to be a champion. But, she’s a charming animal. Quite lovable, in fact.
TRAINER
Magnolia and Sunset Red are ready, Mr. Mercury.
THOMAS
Well, Helen. Ready?
HELEN
I’ve been ready since you mentioned the horses last night. (the trailer helps her into Magnolia’s saddle)
Thomas and Helen ride out of the barn, passing the house in the distance, laughing.
HELEN
And, what a beautiful day for a ride.
THOMAS
Yes, yes indeed.
INT. MERCURY HOME—KITCHEN DAY
Mildred is looking out through the window at Thomas and Helen. Madelaine is beside her, also looking out. Both are smiling.
MILDRED
Well, it’s about time.
MADELAINE
Well overdue, I’d say. Oh, good luck, Thomas!
INT. FIELDS OF THE MERCURY PROPERTY DAY
Thomas and Helen ride through the fields, Thomas pointing towards views here and there, then they return the horses to the stables.
INT. MERCURY STABLES DAY
The trainer walks toward Thomas and Helen as they enter on the horses.
TRAINER
Did you have a nice ride?
HELEN
Oh, yes, Magnolia is such a beauty! (she dismounts) She almost seems to know the land by heart.
TRAINER
She’s a good one alright. Good disposition, too.
The trainer takes the reigns of both horses and leads them away.
THOMAS
And, how about some lunch. Mildred promised to prepare something special.
HELEN
That sounds perfect after a morning ride.
Thomas and Helen begin to walk out of the barn.
HELEN
(sigh) It’s so lovely here, Thomas. It really is.
THOMAS
It is a wonderful place to come home to.
Helen takes Thomas’ arm as they exit the barn.
HELEN
Thomas, do you really believe you’ll ever marry again?
Thomas places his hand on Helen’s hand that is on his arm.
THOMAS
(confidently) If I found the right girl.
HELEN
(curiously) Yes, of course. The right girl.
INT. MERCURY HOME—KITCHEN DAY
Thomas and Helen, Helen still holding on to his arm and his hand on hers, enter the kitchen through the back door.
THOMAS
Mildred!
MILDRED
Lovely mornin’ for a ride, wasn’t it Ms. Gamble. Thought you might be hungry, so I fixed some lunch for you both. Took the liberty, Mr. Mercury of settin’ up the table on the back porch. It seemed such a waste for you not to enjoy such a sunny day.
THOMAS
Splendid idea! Why I haven’t had lunch on the back porch in ages.
MILDRED
If you take Ms. Gamble on outside, sir, I’ll bring it out to you. I didn’t want to take it out there and risk it goin’ cold, you know.
THOMAS
Wonderful, Mildred. Thank you.
Thomas and Helen leave the kitchen through the sitting room door. Mildred watches, winking at the door. Madelaine suddenly is sitting at the table.
MILDRED
I should say that would be a good match. Yes, a good match it will be.
MADELAINE
(smiling) Things couldn’t be going more perfectly!
INT. MERCURY HOME—OPEN BACK PORCH DAY
Thomas and Helen are sitting at a table eating.
HELEN
And, so that’s how I became associated with The Nest, our local version of your playhouse. Even from when I was in school, I loved the theater, but, like you, my first attempT at acting was nothing to write home about.
THOMAS
I suppose I should take a clue from you and give it another try, but the idea of it just makes my stomach cringe.
INT. MERCURY HOME—SITTING ROOM DAY
Mildred answers the door and Mary enters.
MILDRED
Good day, Mary. How are you doin’ this fine morn?
MARY
Oh, I’m just fine, Mildred. But, I need Mr. Mercury’s signature on these papers immediately. I would have had him sign them yesterday, but I didn’t realize that he wouldn’t be in today.
MILDRED
Uh, can they wait, missy? You see, Mr. Mercury is having lunch with that Ms. Gamble. (leaning in to Mary) I think they should make a good match, you know.
MARY
Mr. Mercury! Really? Well, I never would have guessed. I thought it was Joe that had eyes for her, but then Joe has eyes for every girl, doesn’t he?
Mildred shakes her head yes.
INT. MERCURY HOME—OPEN BACK PORCH DAY
Mary hands the papers to Thomas as he sits with Helen.
MARY
I’m sorry, Mr. Mercury, Ms. Gamble. But, it just couldn’t wait.
HELEN
Oh, it’s alright. I’m quite used to it. Father has always had the same situations.
MILDRED
(exhales, whispers to herself) Thank goodness.
Madelaine suddenly stands behind Mary.
MADELAINE
Whew! She’s understanding of your work, Thomas. Good to know that now, you know!
THOMAS
Uh, yes. (hands the papers to Helen) I’m sure he does.
Mildred and Mary leave the porch and reenter the house.
MADELAINE
Well, carry on!
Thomas looks around and sees no one again but himself and Helen.
THOMAS
Now, what were you saying about an upcoming performance at the playhouse?
HELEN
(excited) Oh, Thomas! Will you really audition?
THOMAS
(laughs) Only if I can work up the nerve.
HELEN
I’ll help you. I will. We could go over lines or whatever you thought would make you more comfortable.
THOMAS
You would, wouldn’t you? You really would?
HELEN
Well, of course I would. We could get started right away.
THOMAS
Well, maybe I will, Helen. Maybe, mind you. Just maybe.
HELEN
Well, at least that’s a start.
INT. MERCURY HOME---BEDROOM NIGHT
Thomas and Madelaine are in the bedroom. Thomas is sitting on the bed taking his shoes off. Madelaine is standing near the bedpost.
MADELAINE
Oh, Thomas, really. Surely you had some fun today.
THOMAS
(laughs) Yes, yes, yes. I’m just teasing you, Madelaine. I know how important it was to you that I enjoy my time with Helen.
MADELAINE
(sitting beside Thomas, smiling) So, you do like
Helen then?
THOMAS
She’s a fine girl. Did you know that Helen once won a blue ribbon in her town’s annual fair for growing the largest pumpkin of the region? (laughs) Can you imagine that?
MADELAINE
(encouragingly) So, she’s good at agriculture, too! Wonderful. Then, she’ll be a big help to Mildred.
THOMAS
(confused) What?
MADELAINE
Well, when you marry, of course.
THOMAS
(stands) Marry! (walks to the closet) Why, she’s a nice girl, but marriage! I only met her a couple of days ago. And, she’s leaving town in a few days.
MADELALINE
Exactly. So, there’s no time to waste.
THOMAS
(heading to the bathroom) And, she’s the daughter of a business associate. That’s never a good idea.(shuts the bathroom door)
MADELAINE
(goes to the bathroom door, talks through the door) But, you do like her?
THOMAS
Yes, yes, yes, I suppose so.
MADELAINE
And, Helen seems to like you. And, her father seems to like you as well.
Thomas opens the bathroom door.
THOMAS
Madelaine, one does not marry someone they have only known a couple of days. (shuts the door so that he’s in the bathroom again)
MADELAINE
(crosses her arms) And how long did it take you to realize that you cared for me?
Thomas opens the bathroom door.
THOMAS
That is beside the point and you know it. (shuts the door so that he’s in the bathroom again)
MADELAINE
(walks to the dresser) Oh, Thomas, stop playing games and come out of there already.
Thomas comes out of the bathroom wearing his bathrobe over his pajamas. He marches to the bed and climbs under the covers.
THOMAS
I am not playing games.
Madelaine goes to the bed and sits on the edge.
MADELAINE
(nurturingly) Oh, Thomas, I think you’re simply scared. But, just because you lost one wife doesn’t mean you’ll lose another. And, she’s such a good match for you. She stayed here at the house all day, didn’t even leave until after the sun went down, and the two of you never seemed to run out of things to say.
THOMAS
(pause) Well, I suppose that’s true. But, marriage simply isn’t in my plans. Now, if you please, goodnight, dear.
MADELAINE
Goodnight, dear. (walks to the bedroom door) (quietly, smiling as she crosses her arms and taps her fingers) Not in your plans, hum. We’ll see about that after tomorrow.
INT. DARLING-MERCURY OFFICE DAY
Mary is straightening Thomas’ office as Joe walks in.
JOE
Mary, have you seen Thomas this morning?
MARY
Called early this morning. Right after I arrived. Said he wouldn’t be in today.
JOE
Not coming in? Thomas? Well, is he sick or something? Thomas always comes in. Always. Why it’d take a catastrophe to keep Thomas away from this office.
MARY
No catastrophe, Mr. Darling. Mr. Mercury mentioned on the phone that he was planning on showing Ms. Gamble around the area, something about the playhouse I believe.
JOE
Oh, you’re right, Mary. That’s no catastrophe, that’s love! Well, what do you know. That ol’ buddy of mine is in love. (leans over the desk towards Mary, quieter) You know, Mary, he and that Gamble girl spent the entire day together yesterday. Heard it myself from Mr. Gamble, the young lady’s father.
MARY
(leans over the desk towards Joe, quieter) Well, I did have to take some papers out to Mr. Mercury for him to sign yesterday and they did seem quite cozy.
JOE
(curious) Cozy, cozy how?
MARY
They were having lunch on the back porch with this extraordinary view. And, not just lunch, mind you, but lunch with fancy table linens and wine glasses.
JOE
Wine glasses yesterday and not coming in to work today. Yep, that’s love alright!
INT. MERCURY HOME—SITTING ROOM DAY
Thomas and Helen are in the sitting room with scripts in their hands. They are standing near the liquor cabinet, laughing and picking up empty glasses and a tray from the floor.
HELEN
No, really, Thomas, it’s alright. You just need practice.
THOMAS
Remind me to never be a waiter in real life.
They set the empty glasses on a tray on the liquor cabinet.
HELEN
Now come on, please. Try it once again.
THOMAS
I can’t believe I’m thinking of auditioning for a part in a play and it’s the part of a waiter, the same role I fumbled to begin with. (picks up the tray) Okay, you go sit on the couch like the customer.
Helen sits on the couch.
THOMAS
(continuing)
(clears his throat, picks up the tray, and walks to the couch) Your drinks, madam. Will there be anything else? (puts the glasses on the table)
HELEN
Now, see! That wasn’t so hard. You balanced the tray and everything!
THOMAS
Great! Only have to succeed in doing that about ten more times! (sitting) The life of a waiter told in a play. Hum!
HELEN
Interesting concept, really. All of the different types of people a waiter would run in to, all the stories he would hear.
THOMAS
All the drinks he would spill. (laughs)
HELEN
I do think you’ve made a tremendous leap auditioning for this play, Thomas.
THOMAS
Well, I haven’t auditioned yet. Let’s just see if I can manage to carry glasses around here without spilling them before I think of trying to do it in front of an audience.
Mildred walks in to refill the liquor cabinet.
MILDRED
Carry drinks, sir? Well, why would you want to do that? That’s what you’ve got me for, sir.
Helen goes to Mildred at the liquor cabinet.
HELEN
Oh, Mildred, Thomas is considering auditioning for a play!
MILDRED
A play, sir! What a splendid idea! Why, Helen, did you know that we’ve all been trying to get him back in a play for years. (quietly to Helen) Seems as though he had a bit of a mishap in a play as a youngster. (normal volume) So, what role is it that requires you to be carryin’ drinks, sir?
THOMAS
A waiter, Mildred. Can you believe it?
MILDRED
A waiter, I see.
HELEN
I’ve been trying to help him practice, Mildred. He’s getting much better. Really, he is. If we could simply convince him to finally audition for that play.
MILDRED
I think you, Ms. Gamble, be the one with the power to do that. (pause) Well, I best be getting back to the kitchen. (quietly, to Helen) Good luck to you, ma’am.
Mildred returns to the kitchen and Helen walks to where Thomas sits.
HELEN
Come on, let’s try it again.
THOMAS
No more acting for today, Helen. How about a walk out to the lake?
HELEN
Very well.
INT. RESTAURANT DAY
Joe and Horace are sitting at a table in a restaurant.
JOE
So, you see, Horace, that’s the way it is. Now, I know that business partner of mine like that back of my hand. Even if he did have feelings for your daughter he won’t admit to them until he’s certain that it meets with your approval.
HORACE
Yes, I see. Helen has seemed more happy than I’ve ever seen her before. But, it has only been a couple of days, Joe.
JOE
I understand your concern, sir. That’s why I think it’s up to the two of us to help them along. What if you extend your stay for a few more days, see how things go?
HORACE
Well, I suppose that could be arranged. Helen, however, oh I just don’t know. That girl can be headstrong at times.
JOE
Believe me, I know the type. We just need to gently push the two of them in the same general direction. The rest will be up to them. Either they fall for each other or they don’t. Nothing much we can do about that part. But, Horace, if I’m right, and I usually am, I’m quite the matchmaker, you know, we could all end up family.
HORACE
Family, hum. I would like to see Helen settle down, have a family. She seems so focused on the business, on helping me with the business. And, I must admit that Timeless Clocks has benefited greatly from her ideas and her knowledge. But, I hate to see her miss out on a family of her own.
JOE
Now, Horace, you and I both know that a good businessman is a good businessman, whether it’s a man or a woman. And, Thomas knows that too. Why, there’s no reason, no reason whatsoever, why a woman like Helen couldn’t be both a wife and a career woman, especially if her career concerned her husband’s business. She could have it all, Horace, the best of both worlds. And, we could both see someone we care about be happy. Thomas is the kind of man who needs a wife, Horace. That’s just how he’s made. He was a good husband to my sister and I know he’ll be a good husband to Helen, if we could just give them the chance they need to begin down that road.
HORACE
(smiling) Yes, I see what you mean. Perhaps, you’re right, Joe. A few more days here in town may due the trick and tell us if there is hope for this plan or not.
JOE
It’s as good as done, then. Now, (picking up the menu) All this matchmaking has made me hungry. What do you say we order?
INT. MERCURY HOME—KITCHEN DAY
Mildred is stirring a mixture in a bowl as she looks out the window toward Thomas and Helen who are walking. Madelaine is leaning over Mildred’s shoulder.
MADELAINE
Going well, going well. Just as planned. (looks down to the mixture) Oh, how I miss your muffins.
MILDRED
Oh, yes, love is in the air. And, if it’s not, my muffins should help do the trick. Who could resist a man with a housekeeper who makes muffins? Then, maybe, just maybe, we’ll have a new lady of the house. (sticks her finger in the mixture and tastes it) Good! But, maybe just a bit more of my special ingredient. (pours in a splash Irish Whiskey that she retrieves from beneath the counter, stirs, tastes again) Oh, yes, perfect it is.
INT. MERCURY HOME—SITTING ROOM NIGHT
Thomas is putting ice in a small glass at the liquor cabinet. Madelaine comes up from behind him.
MADELAINE
Thomas?
THOMAS
I really wish (whispering) you would stop popping up like that. It takes a man off guard.
MADELAINE
Well, I had to hurry. Helen will be back in here soon. (excited) She spent the entire day here again, Thomas. What do you think?
THOMAS
(whispering) What do I think? What do you mean what do I think? (pours a drink)
MADELAINE
It’s obvious that you like each other, Thomas. Why can’t you just admit it?
THOMAS
(whispering, looking at the kitchen door) I admit it, I admit it.
MADELAINE
Have you kissed her yet?
THOMAS
(whispering) What!
MADELAINE
Kissed her? Kiss, you know, you do remember that, don’t you? Oh, come on Thomas, she’s about to leave. You’ve got the perfect opportunity.
THOMAS
(drinks the entire glass) This is ridiculous. I’m taking dating advice from my dead wife.
Helen enters from the kitchen.
HELEN
(putting a recipe card in her purse as she walks to the door) Well, I’ve got Mildred’s muffin recipe. Except, of course, for her secret ingredient. It seems that all of her recipes have a secret ingredient.
THOMAS
(walking to the door) I’ve noticed that, but I’ve never been able to figure out what it is. No one has. So, I guess it shall remain Mildred’s secret.
Helen retrieves her coat from the closet and Thomas helps her put it on.
HELEN
I guess you’re right. Maybe she’ll leave that bit of knowledge in her will. (laughs) Thank you.
MADELAINE
Come on already. Kiss her goodnight!
HELEN
Well, it’s late.
THOMAS
Yes, yes, yes. The driver will see that you return safely to your hotel. I’m sure your father will be waiting on you.
HELEN
Yes, I suppose he will. (pause) Well, Thomas, thank for you for a lovely day. (pause) Goodnight.
THOMAS
Uh, yes, well, goodnight, Helen. (he kisses her on the cheek)
MADELAINE
(disappointed) Oh, you’ve got to be kidding.
HELEN
Goodnight. (walks out the door)
An hour passes. Thomas closes the door, goes to his chair, and begins reading the newspaper when the phone rings.
THOMAS
Hello.
JOE (V.O.)
(filtered)
So, how’d the day go, ol’ chap?
THOMAS
Fine, just fine. Helen is a lovely girl. She is on her way back to town. (looks at the clock) Should have arrived there by now.
INT. DARLING-MERCURY OFFICE NIGHT
Joe is sitting at Thomas’ desk, talking on the phone.
JOE
Well, Thomas, I’ve taken the liberty of helping you out a bit.
INT. MERCURY HOME---SITTING ROOM NIGHT
Thomas is in his chair, talking on the phone.
THOMAS
(concerned) Helping me with what?
INT. DARLING-MERCURY OFFICE NIGHT
JOE
You’ll see! You can thank me later, ol’ friend.
INT. MERCURY HOME—SITTING ROOM NIGHT
Thomas hears Joe putting down the receiver as Thomas puts down the receiver. Thomas has an expression of wonder, but soon returns to reading the paper when the phone rings again.
THOMAS
Hello.
INT. HOTEL ROOM NIGHT
Horace is sitting in a chair with an expression of satisfaction upon his face. Helen is on the phone, surrounded by bouquets of roses that fill the room.
HELEN
Oh, Thomas, they’re wonderful! I’ve never seen anything so beautiful!
INT. MERCURY HOME—SITTING ROOM NIGHT
Thomas is in his chair, on the phone.
THOMAS
(confused, careful) Uh, well, uh, I’m so glad you like, uh, it?
INT. HOTEL ROOM NIGHT
Helen is on the phone.
HELEN
Where did you ever find so many roses? Oh, but it doesn’t matter anyway. Thank you, Thomas. Thank you. They’re the most beautiful gift I’ve ever received. And, I’ve be delighted to take you up on your invitation for lunch tomorrow. I’ll see you then! Goodnight!
INT. MERCURY HOME—SITTING ROOM NIGHT
Thomas hears Helen put down the receiver. An expression of confusion is on his face.
THOMAS
Roses? Lunch? What is Joe up to?
INT. HOTEL ROOM NIGHT
Helen goes to her father and sits on the armrest of his chair.
HELEN
Oh, Father, aren’t they the most beautiful roses you’ve ever seen?
HORACE
Yes, dear. I take it you are quite fond of Thomas and he of you.
HELEN
Oh, I am. I wasn’t sure how he felt, but any man who would send so many roses to a girl, well that must mean something!
HORACE
Yes, Helen, (smiling) I’m sure it does.
INT. MERCURY HOME—SITTING ROOM NIGHT
Thomas is in his chair, on the phone.
THOMAS
Is there anything I need to know, Joe?
INT. DARLING-MERCURY OFFICE NIGHT
Joe is in Thomas’ desk on the phone.
JOE
Just that you sent your best girl eight dozen roses and an invitation for her and her father to come to lunch tomorrow. I only ordered eight dozen because that’s all the store had on hand. Can you believe that, Thomas, only eight dozen roses? Anyway, dress nice. And, I thought I might chaperone this little venture, in case you need any advice on anything.
INT. MERCURY HOME—SITTING ROOM NIGHT
Thomas is in his chair, on the phone.
THOMAS
Oh, I’m just getting advice from everywhere.
Thomas looks over to the couch and Madelaine is now leaning over the couch, listening to the phone call.
THOMAS
(continuing)
I’ll see you tomorrow, Joe. (hangs up the phone) You and your brother must both carry the matchmaker gene.
MADELAINE
(excited) Sometimes, Joe has really good ideas. I wish I had thought of the roses. And, I hope those roses make up for that goodnight kiss!
INT. RESTAURANT DAY
Thomas stands as Helen approaches the table, pulls out her chair for her, then they sit.
THOMAS
Helen, glad you could make it.
HELEN
Strangest thing this morning, Thomas. As I was waiting in the lobby for the cab, the hostess approached me with a note from Father. It said that he would not be able to make today’s lunch and that he was quite sorry about forgetting a prior engagement. (pause, suspicious) I’ve never known my father to forget anything.
THOMAS
(suspicious) What a coincidence. When I arrived at the restaurant the waiter gave me a note from Joe saying that he, too, had forgotten a meeting that had already been planned for this time. (pause) I’ve never known Joe to miss a meal.
HELEN
Do you think, well I mean…
THOMAS
Yes, Helen, I think they’re quietly conspiring, you might say. (laughs)
From the corner of the restaurant, hiding behind a wall, Joe and Horace look on smiling.
JOE
Looks like our little plan is coming together.
INT. MERCURY HOME—KITCHEN DAY
Mildred answers the phone. Madelaine is looking out the window.
MILDRED
What is that? Come again, Mr. Darlin’, I can’t understand a word you’re saying. (pause) Who? (pause, excited) Really! A wedding, you say. (pause) Oh, and what a match it is, sir! (pause) Yes, sir, I will! (hangs up the receiver)
MADELAINE
Well? Well? Who’s getting married?
MILDRED
(to herself) Mr. Mercury getting married again. What do you know about that. It’s about time. (pause) And, I’ll be makin’ my special wedding cake for the occasion. (leaves the kitchen)
MADELAINE
(smiling, excited) Oh, Thomas is getting married again. Helen will make him so happy (excited smile fades into sad attempt at smile) when she marries my Thomas. (quietly, tearfully, trying to smile) Thomas is getting married again.
INT. DARLING-MERCURY OFFICE DAY
Thomas, Helen, Joe, Horace, and Mary are in Thomas’ office. Thomas is shaking hands with everyone.
THOMAS
Yes, yes, yes, as soon as possible.
MARY
Congratulations, Ms. Gamble. I’ll be happy to assist with any arrangements, if you’d like. You’re probably not too familiar yet with our little town.
HELEN
Oh, thank you, Mary. It would be such a help.
HORACE
And, of course, we’ll be needed to have the appropriate engagement party.
HELEN
Nothing too fussy, Father, really.
JOE
Mildred will be making the wedding cake. Best cake you ever put in your mouth. Just melts.
HELEN
We were thinking of a small wedding and we were hoping to have the reception at Thomas’ house.
THOMAS
Soon to be our house, Helen, our house.
HELEN
Oh, I just can’t wait to get started. Mary, do you know what flower shops could manage a wedding on such short notice.
MARY
Come with me. I’m sure we can fine one.
Mary and Helen leave the office.
JOE
Well, congratulations again, ol’ friend. Glad you made such a fine choice. It’s about time you got married again.
THOMAS
(teasing) It was the strangest thing how Helen and I kept running in to each other.
INT. MERCURY HOME—BEDROOM DAY
Thomas is standing in the center of the room. Madelaine is straightening his tie.
MADELAINE
There you go, dear. Now, you look perfect. Perfect for your wedding day.
THOMAS
It seems rather strange to hear that from you, Madelaine. Strange, indeed.
MADELAINE
Why, don’t be silly, Thomas. Wasn’t that what I was here for? Go forward, go with my blessing. Helen is a wonderful girl and I have no doubts that she’ll make you a wonderful wife. You’ll be happy, Thomas. That’s all I’ve ever wanted.
Madelaine turns Thomas around so that he can look in the mirror.
THOMAS
But, what about you, Madelaine?
Thomas turns around but sees the room empty. His eyes tear a bit.
THOMAS
(continuing)
(sigh) Goodbye, Madelaine.
Mildred enters the room.
MILDRED
Are you ready, sir? Oh, look at you. The picture of perfection, you are. Ready to be married, sir?
THOMAS
(smiles confidently, exhales) Yes, Mildred. Yes, I am.
INT. MERCURY HOME—KITCHEN DAY
Mildred walks in the kitchen and tends to the cooking. The kitchen table is filled with foods and a large wedding cake. Joe enters the room.
JOE
How’s it coming Mildred? Need any help? (goes to the table and eats a cookie)
MILDRED
(lightly slaps Joe’s hand) Now, there’ll be none of that, Mr. Darlin’. I’ve got much to do today with Mr. Mercury and Ms. Gamble decidin’ to say their vows here at the house, you know. I just come down from checkin’ on the groom, and he looks like he could be in a magazine. Dashing, Mr. Darlin’, just dashing.
JOE
Hey, what about me? I am the best man, you know.
MILDRED
Lookin’ very well this mornin’, Mr. Darlin’, very well.
Joe reaches for a cookie and Mildred lightly slaps his hand again.
MILDRED
(continuing)
None of that. Now, why don’t you go tend to the guests. They should begin arriving soon.
JOE
Or, maybe I’ll go check on the bride-to-be!
MILDRED
Don’t be causin’ no trouble now, Mr. Darlin’.
Joe leaves the kitchen through the sitting room door.
INT. MERCURY HOME---SPARE BEDROOM DAY
Mary is helping Helen button the back of her gown.
MARY
Last button. There you go. Now, turn around. Gorgeous. Just gorgeous. You’re certainly a beautiful bride. (straightens out the dress)
HELEN
I can’t believe that I’m actually getting married today!
MARY
Thomas Mercury is quite a catch.
HELEN
He is such a kind person. Mary, did I tell you that he auditioned for the play! And, he got the part! I’m so excited for him.
MARY
So you were able to talk him into it! That a girl! He just needed a little inspiration is all.
HELEN
He’ll be playing this waiter, you see. And, the waiter meets all these couples throughout his work day and each couple has their own story to tell. My favorite, though, is a man who makes an offer to his girlfriend.
INT. MERCURY HOME—HALLWAY DAY
Joe slightly opens the door, unable to see in but able to hear part of what Helen is saying.
INT. MERCURY HOME---SPARE BEDROOM DAY
Mary is helping Helen put on her veil.
HELEN
Well, his name is Bartholemew, you see. And, he’s quite the charmer. He promises that if the business is turned completely over to him along with all of the money, that he’ll finally agree to marry.
INT. MERCURY HOME—HALLWAY DAY
Joe quietly closes the door, an expression of concern upon his face.
JOE
Helen plans on stealing all of Thomas’ money. I can’t believe it! I can’t let Thomas get married!
INT. MERCURY HOME—SPARE BEDROOM DAY
Helen slips into her shoes as Mary listens.
HELEN
Of course, he’s nothing but a con and a thief, and the waiter, the part that Thomas will play,
knows this and tries to convince the woman of Bartholemew’s true intentions.
MARY
Does he?
HELEN
Oh, yes, and then she returns at the end of the play to thank him because she’s learned of the other women that Bartholemew has conned.
MARY
I’ll be one of the first to buy tickets when the performances begin.
INT. MERCURY HOME—KITCHEN DAY
Mildred quietly takes a bottle of Irish Whiskey from the kitchen cabinet, pours it into a liquid mixture, and then puts the bottle back. She looks about to make certain no one is watching. As she stirs, Joe enters the room frantically.
JOE
Mildred! I didn’t know who else to turn to. You won’t believe what I just heard!
MILDRED
Hear, hear, now, Mr. Darlin’. I got no time today for gossip. I’ve got a weddin’ to attend to. Unless, of course, it’s really juicy gossip. Then, I may have a spare moment.
JOE
I think Helen is planning to steal the company and all of Thomas’ money!
MILDRED
Helen Gamble? Well, what makes you think such a thing, sir. She’s a fine girl.
JOE
I just heard her say it, Mildred! Why, I was just going to check on her. You know, as any good best man would do. Anyway, I heard her say something about some man who will marry her in exchange for the company and the money. Apparently, she’s in on the whole thing with some guy named Bartholemew.
MILDRED
Bartholemew? (uncertain) Are you sure ‘bout what you heard, Mr. Darlin’? That just doesn’t sound like our girl.
JOE
Well, it all makes sense now, the short courtship, the quick marriage. I should have realized something was up when her father didn’t disapprove of his daughter marrying someone without a proper long engagement.
MILDRED
(sarcastically) Not like they had a little push, ‘ey Mr. Darlin’?
JOE
Oh, push or no push Mildred, I’ve got to talk to Thomas! (takes a cookie and leaves)
Mildred goes to the cabinet, pulls out the bottle, and swallows a drink from the bottle.
MILDRED
Don’t be causin’ no trouble, Mr. Darlin’. (remembers the play) Oh, Bartholemew! Oh, no, Mr. Darlin’ (puts the bottle back and runs for the door), don’t be causin’ no trouble today.
INT. MERCURY HOME—BEDROOM DAY
Thomas is sitting on the bed when Joe rushes in.
JOE
Thomas, we have to talk.
THOMAS
Yes?
JOE
You can’t get married.
THOMAS
(stands) What? Why? Is Helen alright?
JOE
(angry, pacing) Oh, she’s more than alright.
Mildred rushes in and goes to Joe.
MILDRED
Mr. Darlin’, Mr. Darlin’, wait!
JOE
Mildred, this has to be done.
THOMAS
What has to be done? What is this about not getting married?
MILDRED
Nothin’, sir, nothin’ at all. Mr. Darlin’ here was just, uh, hearin’ about the play you’re goin’ to be in, the one where you play a waiter.
JOE
Mildred, this is no time to discuss plays.
MILDRED
(to Joe) Where Mr. Mercury plays the waiter who realizes that a character named Bartholemew is trying to scheme his girlfriend out of her business and her money in exchange for a promise of marriage. That play, you know, Mr. Darlin’. That play that Ms. Gamble and Mr. Mercury been rehearsin’ here at the house for a while now, sir? You recall that play?
JOE
(confused) Play? With Bartholemew? But?
MILDRED
(pulling at Joe’s arm) No buts, sir. Just a play, that’s all.
THOMAS
(hands on hips) Will someone explain to me what is going on here? I’m supposed to be getting married today.
JOE
(embarrassed) Well, Thomas, I, uh.
MILDRED
(whispers to Joe) It’ll be just between you and me, sir. (to Thomas) Mr. Darlin’ just wanted to make sure you were certain of your decision to wed, Mr. Mercury.
THOMAS
Neither of you is making any sense.
JOE
Well, sure, Thomas, that’s all it was. That’s, that’s, well, you know, why on earth would you not get married today.
MILDRED
Helen is a fine choice, Mr. Mercury.
JOE
Yes, a fine choice.
MILDRED
And, she’s talked you in to acting again in the play, sir. (leading Joe out of the room)
JOE
Yes, that, that play.
Mildred and Joe reach the door, but Joe stops.
JOE
(continuing)
Mildred, you go on back to the kitchen. I need to talk to my ol’ buddy for a moment.
MILDRED
(quietly) Don’t be startin’ no trouble, now, Mr. Darlin’. (she closes the door behind her)
THOMAS
What is all this about, Joe?
JOE
Oh, I went to check on Helen to see how she was coming along and before I was even in the room I heard her talking about this Bartholemew and his plans to steal all the money and I thought, well, I thought he was real and I thought it meant that Helen was in on some type of scheme to steal all your money and I, I, I guess I jumped to conclusions, Thomas. I’m sorry.
Thomas laughs as he sits back on the bed.
JOE
Well, what so funny? I don’t see anything funny about any of this, Thomas. (sits on the bed) Nothing funny about it at all.
THOMAS
(laughing) Oh, but it is. I know Helen would never do such a thing. Why you wouldn’t have matched me up with a thief, now would you Joe?
JOE
Well, of course not.
THOMAS
But, maybe this will teach you not to interfere quite so much. (pause, pats Joe on the back) But, I am glad that you’re a good enough friend to try and stop me from marrying someone you thought was a thief.
JOE
Thomas, do you ever think of Madelaine anymore.
THOMAS
(looks around an empty room) Yes, I’ve thought of her a lot lately. I think, no, I know that she would like Helen and that she would approve of this marriage.
JOE
Think so?
THOMAS
Yes.
JOE
You’re right. Madelaine would have wanted this for you. I guess I never really stopped to think about that until today, with all the wedding decorations up all over the house and the guests coming. Mildred’s prepared a feast, by the way.
THOMAS
Oh, I’m sure she has.
JOE
I think she’s in culinary Heaven down there in the kitchen. (pause) I miss her today more than ever, Thomas, Madelaine that is. But, well, I want you know that I’m glad to see you’ve found someone new.
THOMAS
Yes, I’m a lucky man to have found love twice in one lifetime.
JOE
I can tell the difference in you, too! It’s like you’re a brand new man, reborn into a new life. (pause) Uh, Thomas, Helen doesn’t really need to know about our little misunderstanding, does she? I’d hate to start off on the wrong foot.
THOMAS
Don’t worry about a thing, Joe. Don’t worry about a thing. Although it is quite funny. (laughs again)
INT. MERCURY HOME—SITTING ROOM NIGHT
Mildred, Mary, Joe, Thomas, Horace, and Helen are in the sitting room, their toasts raised in celebration.
MARY
It couldn’t have been a more beautiful wedding, Helen, uh, I mean Mrs. Mercury.
HELEN
Oh, Helen will do just fine. Oh, and Mildred, the food! How do you do it?
MILDRED
Family recipe, secret ingredient, you know.
HORACE
(to Helen) Well, dear, it’s getting late, I suppose we should be going. (takes her to the side) Know that I have never seen you look as lovely as you have today. Just like your mother, Helen, an angel. And, I wish you all the happiness in the world. (hugs her)
HELEN
Thank you, Father.
JOE
What do you say to one final toast before we leave the newlyweds to themselves.
Everyone raises their glasses as Horace and Helen reenter the circle, Helen standing beside Thomas.
JOE
(continuing)
To Thomas and Helen, may your love and your happiness continue to grow throughout the years.
JOE, MARY, MILDRED, HORACE
(as glasses are raised) To Thomas and Helen.
Thomas and Helen embrace.
THE END
written by Debra Phillips
This is a work of fiction.
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